Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History"Every now and then a book comes along so startling in its ingenuity, so crisp and invigorating in its perception and argument, so revealing in its investigation of its subject matter, that one is forced to reevaluate, reconsider, and restructure one's understanding and one's perspectives on theatre, discourse, and history. Such a book is Anthony Kubiak's Stages of Terror." -- Theatre Studies ..". quite compelling. It is rich and complete while leaving plenty of room for further development... " -- Text and Performance Quarterly Using Aristotle's Poetics as its point of departure, Anthony Kubiak traces the forms or "stages" of terror as a cultural and performative principle through English Renaissance and Restoration plays, through the modern and postmodern, to contemporary terrorist "theatres." |
From inside the book
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Page 43
... forces . It does not , as it does in Euripides , emerge from a center within Medea , hidden and originary , but from her ... force . The tension between violence and power is similar in many respects to the ideological impasse behind the ...
... forces . It does not , as it does in Euripides , emerge from a center within Medea , hidden and originary , but from her ... force . The tension between violence and power is similar in many respects to the ideological impasse behind the ...
Page 104
... forces that assault him and marks the locus into which they seemingly disappear . Thus , while Euripides ' Medea ... force of romantic heroism , the strong presence of the hero is not at all antithetical to the dispersions of power ...
... forces that assault him and marks the locus into which they seemingly disappear . Thus , while Euripides ' Medea ... force of romantic heroism , the strong presence of the hero is not at all antithetical to the dispersions of power ...
Page 140
... force and violence of representational systems that seem to obliterate the real presence and substance of the body ... forces of control , commodification , and objectification . In this case , the body is perceived not as an object ...
... force and violence of representational systems that seem to obliterate the real presence and substance of the body ... forces of control , commodification , and objectification . In this case , the body is perceived not as an object ...
Contents
Trial and Terror | 26 |
Trope to Tragedy | 48 |
Gesturing through the Flames | 72 |
Copyright | |
5 other sections not shown
Other editions - View all
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History Anthony Kubiak No preview available - 1991 |
Common terms and phrases
alienation Anthony Wilden Anti-Oedipus Antonin Artaud appearance articulates béance Beckett becomes Belvidera body Brecht Chicago concealed consciousness Creon crime culture dagger death Deimic Deimos Deleuze Derrida desire dialectic disappearance discipline discourse displacement Dorimant drama economic emerges Euripides example exists finally force forclusion Foucault fragmentation Genet Guattari Herbert Blau Hesiod ideology illusion Imaginary imagination Jaffeir katharsis Lacan language locus Madness and Civilization Manfred Medea mind mise en scène modern modernist murder myth mythic object objectified ontologic Othello pain perception performance Phobic Phobos play political postmodern problematic production Prometheus psychic Quaeritis Quem Quaeritis real violence reality Renaissance representation represents Restoration romantic romanticism seemingly seems Seneca sense silence social space spectacle specular stage Strindberg sublime suggest Symbolic terror terrorist theatre history Theatre of Cruelty theatre's theatrical theory thou thought threat tion torture tragedy tragic Trans truth tyranny Vito Acconci words writes York