Tradition of Hindustani Music |
Contents
Tradition of Hindustani Music | 1 |
Gharana Tradition | 23 |
Gharanas in Khyal | 43 |
Gharanas of Punjab | 57 |
Patiala Gharana | 79 |
Great Masters of Patiala Gharana | 97 |
Patiala Gharana in the Eyes of Maestros | 127 |
Compositions of Patiala Gharana | 177 |
Favourite Bandishes of Patiala Gharana | 209 |
Common terms and phrases
aa aa according aesthetic Agra alap artists aspect Bade Ghulam Ali Baksh bandish Bani became become belonged brothers classical music composed composition court culture Dhrupad disciple disciple of Ustad elaboration emotional established expression fact famous Fateh father feel followed four gave gayaki of Patiala Ghulam Ali Khan given Guru Gwalior Hindustani important impressed India influenced Kalu Khan Khyal Kirana known later laya listeners Maharaja maintaining manner master means melodic Munawwar Ali Khan musicians nature notes octaves Pakistan Pandit particular Parveen Sultana Patiala Gharana patterns performance person phrases piya playing popular practice presentation Punjab qualities raga received refers rendering rhythm rhythmic Sabrang singers Singh singing slow song sons sound Sthai Antra structure style sung swar tala tanas tempo term Thumri Today tradition types Ustad Bade Ghulam vocal vocalist voice