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THE FOOL AT THE BOUNDARY LINE
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action appears aspect association assume audience become beginning boundaries calls characters clown comedy comic conception conscious Contemporary context contrast course court fool create criticism discussion dramatic Edited effect example existence express fact folly fool figure fool's fooldom force freedom function Georg Büchner German hand human identity imagination important ironic irony ISBN Jaques kart king king's kingdom kingship language Lear Lear's Leonce und Lena Leonce's mask means merely moral nature nicht Nicolo observations Peter physical play position possibility present prince question reality reference reflect regard relationship remains represented respect role roleplay romantic scene seems Seiten sense setting Shakespeare situation social social order society space speaks spirit stage stands structure symbols takes theater theatrical thing tradition truth turn University Valerio Verlag wise