ILLUSTRATIONS. I. THE DESCENT FROM THE CROSS, BY RUBENS 305. From a photograph. Mentioned on pages 169, 193, 260, 279, 284, 290, 2. EFFECTS OF Distance on MAGNITUDE, LIGHT, CONTRAST, AND From J. W. Stimson's "Principles and Methods of Art-Education." 3. LIGHT AND SHADE, BY WALTER CRANE From Cassell's Magazine of Art. Mentioned on pages 89, 224. 4. POLLICE VERSO, BY GÉRÔME From a photograph. Mentioned on pages 89, 191, 218, 279, 284, 290, 291, 300, 302. 5. LEAVING FOR WORK, BY J. F. MILLET From a photograph. Mentioned on pages 89, 90, 95, 97, 190. 6. THE GIRLhood of the VIRGIN MARY, BY ROSSETTI. From a photograph. Mentioned on page go. 7. A STORM, BY J. F. MILLET From a photograph. Mentioned on pages 90, 94, 120, 190, 279. 8. TOMB OF GIULIANO DE' MEDICI, BY MICHAEL ANGELO From a photograph. Mentioned on pages 95, 97, 224, 284, 275, 302. 9. THE SOLDIER'S RETURN. RELIEF ON MONUMENT NEAR BINGEN From a photograph. Mentioned on pages 97, 225, 242, 279, 284. 10. EPITOMISED STORY OF ISAAC, JACOB, AND ESAU, RELIEF FROM BAPTISTRY AT FLORENCE From a photograph of engraving. Mentioned on pages 97, 225. II. CAVE OF ELEPHANTA, INDIA From a sketch in water-colour. Mentioned on page 97. 12. CHIEFS' HOUSES, KEREPUNA, AUSTRALIA From Cassell's "Picturesque Australia." Mentioned on page 99. 13. PHOTOGRaphic Effect of CURVED PLATFORM AND COLUMN OF PARTHENON From The Architectural Record. Mentioned on page 102. 14. OPTICAL ILLUSIONS CAUSED BY LINES ARRANGED AS IN PEDI MENTS From the same. Mentioned on pages 102, 103. 102 15. PHOTOGRAPHIC EFFECT OF CORNICE CURVE IN THE MAISON CARRÉE. From the same, drawn by J. W. McKecknie. Mentioned on pages 103, 126, 279. 16. MAISON CARRÉE, SHOWING CORNICE CURVE 17. JEWISH CEMETERY, BY J. RUYSDAEL. PAGE 104 105 From the same, drawn by J. W. McKecknie. Mentioned on pages 103, 106. 121 From a photograph of engraving. Mentioned on pages 123, 192, 243. 125 From a photograph with permission of C. T. Yerkes. Mentioned on page 123. From Cassell's "Picturesque Australia." Mentioned on pages 126, 252, 310. From a photograph. Mentioned on pages 123, 193, 224, 295, 310. 20. A SUMMER'S EVENING, BY VAN BEERS 21. UNIVERSITY at Sydney, AUSTRALIA. From a photograph of engraving. Mentioned on pages 166, 259, 284, 285, 316. From a photograph. Mentioned on pages 170, 171, 242, 243, 290. 24. FARNESE HERCULES, BY GLYCON THE ATHENIAN From a photograph. Mentioned on pages 214, 215. 25. MELROSE ABBEY From Fergusson's "History of Architecture." 215, 219, 261. Mentioned on pages 214, 26. FLYING MERCURY, BY GIOVANNI DA BOLOGNA From a photograph. Mentioned on pages 214, 215, 242. 27. CHURCH NEAR KOSTROMA, RUSSIA From Fergusson's "History of Architecture." Mentioned on pages 214, 215, 219. From the same. Mentioned on pages 98, 219, 222, 225, 251, 252, 279, 290, 29. HOUSES Of Parliament, ENGLAND, FROM OLD PALACE YARD From Cassell's Magazine of Art. Mentioned on pages 222, 279. 31. LINES EXPRESSIVE OF Repose, by WALTER CRANE From the same. Mentioned on pages 222, 279. 32. PAVILION of RICHELIEU, PALACE OF the Louvre, PARIS. 34I. 33. COLOGNE CATHEDRAL From a photograph. Mentioned on pages 225, 251, 252, 261, 279, 290, 293, 317, 341. 34. ST. MARK'S, VENICE. 302. 35. MARIEN PLATZ, MUNICH From a photograph. Mentioned on pages 126, 222, 225, 252, 279, 293, 296, 229 From Cassell's "Chats about Germany." Mentioned on page 225. 36. THE WOMAN TAKEN IN ADULTERY, BY N. POUSSIN 231 From Cassell's Magazine of Art. Mentioned on pages 193, 234, 236, 240, 241, 290. 37. THE DEATH OF ANANIAS. CARTOON BY RAPHAEL 233 From a photograph. Mentioned on pages 169, 193, 234, 236, 240, 243, 251, 284, 290, 316, 317. From a drawing by the same. Mentioned on pages 235, 238. 42. BALANCED BACKWARD MOVEMENT WITH Closing GESTURE From a drawing by the same. Mentioned on pages 236, 292. 43. PEDANT'S PROPOSITION OF MARRIAGE. ETCHING BY D. CHODO WECKI 44. UPWARD OPENING GESTURE Mentioned on pages 234, 237. 235 236 Mentioned on page 235. 236 From Cassell's Magazine of Art. Mentioned on pages 238, 239, 243. From a drawing by C. C. Rosenkranz. Mentioned on pages 239, 243. 239 Mentioned on pages 239, 242, 292. From a drawing by Maud Stumm. Mentioned on pages 241, 242, 243. 48. TISSINGTON SPIRES, ENGLAND From Cassell's "Our Own Country." Mentioned on pages 244, 246. 49. REPOSE IN Landscape and FIGURE, BY Walter Crane From Cassell's Magazine of Art. Mentioned on page 248. 50. LINES ILLUSTRATIVE OF ACTION, BY WALTER CRANE From the same. Mentioned on page 250. 51. INTERIOR OF BEVERLEY MINSTER, ENGLAND From a photograph. Mentioned on pages 99, 252, 310. 52. POUTOU TEMPLE, NINGPO, CHINA From a photograph. Mentioned on pages 99, 279, 280, 296. From a photograph. Mentioned on pages 222, 280, 293, 296, 302. 54. THE TRANSFIGURATION, BY RAPHAEL From Palliser, Palliser, & Co., Architects, New York. Mentioned on From a drawing. Mentioned on pages 337, 338. 59. LINES SUBDIVIDED TO INDICATE PROPORTION From a drawing. Mentioned on page 338. 60. TYPE OF AN ASSYRIAN SQUARE From Cassell's Magazine of Art. Mentioned on pages 340, 341. From Cassell's "Our Own Country." Mentioned on page 340. 62. FIGURES WITH LINES SUBDIVIDED TO INDICATE PROPORTION 64. FIGURES RELATED BECAUSE INSCRIBABLE IN THE SAME SQUARE. 342 From a drawing. Mentioned on page 342. 65. FIGURES Related BECAUSE INSCRIBABLE IN THE SAME RECTANGLE 342 From a drawing. Mentioned on page 342. 66. RELATIONSHIP OF FIGURES AS INDICATED AND NOT INDICATED, 342 From a drawing. Mentioned on page 343. 68. CHÂTEAU DE RANDAU, VICHY, FRANCE From a photograph. Mentioned on page 343. 69. WALKER MUSEUM, CHICAGO UNIVERSITY Drawn over a face in Putnam's "Art Handbook." Mentioned on pages 345-349. 74. SIDE FACE Divided ProPORTIONATELY BY LINES Drawn over a face in Putnam's "Art Handbook." Mentioned on pages 348, 349. 75. FACIAL DIVISIONS 347 348 Drawn over a photograph in The Dramatic Mirror. Mentioned on pages 348, 349. Drawn over a photograph in The Dramatic Mirror. Mentioned on pages 348, 349. 77. CIRCLES ILLUSTRATING FIELD OF DISTINCT VISION FOR BOTH EYES TOGETHER From a drawing. Mentioned on page 351. 78. VASES Outlined by Ellipses and Segments of CirCLES Drawn about forms suggested in Hay's "Ornamental Geometric 79. BUILDING Enclosed between Circles 351 353: 354 From a drawing. Mentioned on pages 222, 25a, 261, 290, 293, 296, 302, 355. 80. WOMAN'S FORM ENCLOSED BETWEEN CIRCLES From a drawing. Mentioned on page 355. 81. WOMAN'S FORM ENCLOSED BETWEEN LIKE CIRCLES From a drawing. Mentioned on page 356. 82. CIRCLES DRAWN ABOUT A FORM IN GRACEFUL ACTION From a drawing. Mentioned on page 356. |