The Essentials of Aesthetics in Music, Poetry, Painting, Sculpture and Architecture |
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Page 14
... evident ; but it has other characteristics , which cause many to doubt whether , in important regards , it does not differ too greatly from music , poetry , painting , and sculpture to admit of its being placed in the same class with ...
... evident ; but it has other characteristics , which cause many to doubt whether , in important regards , it does not differ too greatly from music , poetry , painting , and sculpture to admit of its being placed in the same class with ...
Page 43
... evident that the force which is expended upon the imitation of nature may be much more important and very different in quality when it is used in the expression of thought and feeling than when representing merely physical phases of ...
... evident that the force which is expended upon the imitation of nature may be much more important and very different in quality when it is used in the expression of thought and feeling than when representing merely physical phases of ...
Page 55
... evident upon recalling the condition usually accom- panying the mind's imaginative and , therefore , partially subconscious actions . It will be found to be a condition of emotive excitement . Listen to the children as they watch a ...
... evident upon recalling the condition usually accom- panying the mind's imaginative and , therefore , partially subconscious actions . It will be found to be a condition of emotive excitement . Listen to the children as they watch a ...
Page 74
... evident . Yet , in his ' Degeneracy , " Max Nordau quotes Théophile Gautier as saying : " For the poet words have , in themselves and outside the sense they express , a beauty and a value of their own . Nothing is less ideal than a poet ...
... evident . Yet , in his ' Degeneracy , " Max Nordau quotes Théophile Gautier as saying : " For the poet words have , in themselves and outside the sense they express , a beauty and a value of their own . Nothing is less ideal than a poet ...
Page 172
... in nature ends like those of support , protection , and shelter . This being the case , the desire to attain these ends was evident to every one who saw the building ; in other words , 172 THE ESSENTIALS OF ÆSTHETICS .
... in nature ends like those of support , protection , and shelter . This being the case , the desire to attain these ends was evident to every one who saw the building ; in other words , 172 THE ESSENTIALS OF ÆSTHETICS .
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Common terms and phrases
accents according action æsthetic Apollo Belvedere appear applied architecture art-composition artistic arts of sight arts of sound beauty blue building Carl Marr cause Chapter character characteristic Charles Blanc chords cold colours complementary colours conception connection conscious considered contrast correspond curves degree developed effects emphasise expression expressional fact figures FINGER GESTURE give gradation Greek green harmony hues human human voice illustration imagination imitation indicated influence instance Julius Cæsar Laocoön latter light and shade manifest meaning measurements mental Mentioned on pages merely methods mind motive movements musical scale nature notice objects outlines painter painting partial tones perceived picture pitch poetic poetry Pollice Verso principle produced proportion reason recognise reference repre represent representation result rhythm sculpture sense side significance sounds subconscious suggested supposed syllables termed thought or feeling thoughts and emotions tints and shades tion Titian true unity vibrations whole words yellow
Popular passages
Page 29 - Thy soft response renewing— What makes that ship drive on so fast? What is the ocean doing?' Second Voice 'Still as a slave before his lord, The ocean hath no blast; His great bright eye most silently Up to the Moon is cast— If he may know which way to go; For she guides him smooth or grim. See, brother, see! how graciously She looketh down on him.
Page 116 - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
Page 180 - Commander ; he, above the rest In shape and gesture proudly eminent, Stood like a tower ; his form had yet not lost All her original brightness, nor appeared Less than Archangel ruined, and the excess Of glory obscured...
Page 271 - Why should that name be sounded more than yours? Write them together: yours is as fair a name: Sound them, it doth become the mouth as well. Weigh them, it is as heavy: conjure with 'em, 'Brutus' will start a spirit as soon as 'Caesar'.
Page 208 - ... purpose waste in air : So waste not thou ; but come ; for all the vales Await thee; azure pillars of the hearth Arise to thee ; the children call, and I Thy shepherd pipe, and sweet is every sound, Sweeter thy voice, but every sound is sweet; Myriads of rivulets hurrying thro' the lawn, The moan of doves in immemorial elms, And murmuring of innumerable bees.
Page 153 - Then saw they how there hove a dusky barge, Dark as a funeral scarf from stem to stern, Beneath them; and descending they were ware That all the decks were dense with stately forms, Black-stoled, black-hooded, like a dream — by these Three Queens with crowns of gold: and from them rose A cry that shiver'd to the tingling stars...
Page 191 - The western wind was wild and dank wi' foam, And all alone went she. The creeping tide came up along the sand. And o'er and o'er the sand, And round and round the sand, As far as eye could see; The blinding mist came down and hid the land — And never home came she. "Oh, is it weed, or fish, 'or floating hair — A tress o...
Page 30 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 184 - What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous ; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls ? Say, why is this ? wherefore ? what should we do ? Ghost beckons HAMLET.
Page 152 - Such songs have power to quiet The restless pulse of care, And come like the benediction That follows after prayer. Then read from the treasured volume The poem of thy choice, And lend to the rhyme of the poet The beauty of thy voice. And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents, like the Arabs, And as silently steal away.