The Essentials of Aesthetics in Music, Poetry, Painting, Sculpture and Architecture |
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Page 6
... notice that all possible art - products can be divided into two classes - those in which appearances , whether of nature or of any kind , are not essential , and those in which they are essential . In the former class we may place all ...
... notice that all possible art - products can be divided into two classes - those in which appearances , whether of nature or of any kind , are not essential , and those in which they are essential . In the former class we may place all ...
Page 11
... Notice this , first , as exemplified in music . Cannot a man sing without constructing a product external to himself ? Certainly he can , and so can a bird ; but if a man could do no more , he could do nothing entitling music to be ...
... Notice this , first , as exemplified in music . Cannot a man sing without constructing a product external to himself ? Certainly he can , and so can a bird ; but if a man could do no more , he could do nothing entitling music to be ...
Page 20
... Notice one or two more illustrations of this fact . Queen Louise of Prussia , the mother of the first Emperor William , was one whose form and face were of such a nature that , owing solely to their effects upon the organs of sight ...
... Notice one or two more illustrations of this fact . Queen Louise of Prussia , the mother of the first Emperor William , was one whose form and face were of such a nature that , owing solely to their effects upon the organs of sight ...
Page 21
... Notice particularly the suggestion that complexity of effects is characteristic of beauty . It is attributed , in each in- stance , so far as it is complete and ideal , not to a single effect , as to one upon the senses , or to one upon ...
... Notice particularly the suggestion that complexity of effects is characteristic of beauty . It is attributed , in each in- stance , so far as it is complete and ideal , not to a single effect , as to one upon the senses , or to one upon ...
Page 26
... notice some further considerations serving to in- dicate the accuracy of the view that has here been taken . Observe , first , that the very complexity and unity that have been shown to be essential to beauty of form 26 THE ESSENTIALS ...
... notice some further considerations serving to in- dicate the accuracy of the view that has here been taken . Observe , first , that the very complexity and unity that have been shown to be essential to beauty of form 26 THE ESSENTIALS ...
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Common terms and phrases
accents according action æsthetic Apollo Belvedere appear applied architecture art-composition artistic arts of sight arts of sound beauty blue building Carl Marr cause Chapter character characteristic Charles Blanc chords cold colours complementary colours conception connection conscious considered contrast correspond curves degree developed effects emphasise expression expressional fact figures FINGER GESTURE give gradation Greek green harmony hues human human voice illustration imagination imitation indicated influence instance Julius Cæsar Laocoön latter light and shade manifest meaning measurements mental Mentioned on pages merely methods mind motive movements musical scale nature notice objects outlines painter painting partial tones perceived picture pitch poetic poetry Pollice Verso principle produced proportion reason recognise reference repre represent representation result rhythm sculpture sense side significance sounds subconscious suggested supposed syllables termed thought or feeling thoughts and emotions tints and shades tion Titian true unity vibrations whole words yellow
Popular passages
Page 29 - Thy soft response renewing— What makes that ship drive on so fast? What is the ocean doing?' Second Voice 'Still as a slave before his lord, The ocean hath no blast; His great bright eye most silently Up to the Moon is cast— If he may know which way to go; For she guides him smooth or grim. See, brother, see! how graciously She looketh down on him.
Page 116 - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
Page 180 - Commander ; he, above the rest In shape and gesture proudly eminent, Stood like a tower ; his form had yet not lost All her original brightness, nor appeared Less than Archangel ruined, and the excess Of glory obscured...
Page 271 - Why should that name be sounded more than yours? Write them together: yours is as fair a name: Sound them, it doth become the mouth as well. Weigh them, it is as heavy: conjure with 'em, 'Brutus' will start a spirit as soon as 'Caesar'.
Page 208 - ... purpose waste in air : So waste not thou ; but come ; for all the vales Await thee; azure pillars of the hearth Arise to thee ; the children call, and I Thy shepherd pipe, and sweet is every sound, Sweeter thy voice, but every sound is sweet; Myriads of rivulets hurrying thro' the lawn, The moan of doves in immemorial elms, And murmuring of innumerable bees.
Page 153 - Then saw they how there hove a dusky barge, Dark as a funeral scarf from stem to stern, Beneath them; and descending they were ware That all the decks were dense with stately forms, Black-stoled, black-hooded, like a dream — by these Three Queens with crowns of gold: and from them rose A cry that shiver'd to the tingling stars...
Page 191 - The western wind was wild and dank wi' foam, And all alone went she. The creeping tide came up along the sand. And o'er and o'er the sand, And round and round the sand, As far as eye could see; The blinding mist came down and hid the land — And never home came she. "Oh, is it weed, or fish, 'or floating hair — A tress o...
Page 30 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 184 - What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous ; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls ? Say, why is this ? wherefore ? what should we do ? Ghost beckons HAMLET.
Page 152 - Such songs have power to quiet The restless pulse of care, And come like the benediction That follows after prayer. Then read from the treasured volume The poem of thy choice, And lend to the rhyme of the poet The beauty of thy voice. And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents, like the Arabs, And as silently steal away.