Sangeet Natak, Issues 51-54

accompanied according acting Adi Madh ancient appear artists aspects beautiful become Bengal bird called century characters classical complete connected cult culture dance dancer deities developed Dhidhing Dhina Dhing district drama drum elements example experiments expression festival frequency gamaka Gambhira give given groups Gur Gur hand human important Indian Indonesia influence interesting Jatra Kathak known Krishna language living Lord Madh masks meaning movements Nata nature notes origin Orissa particular pattern performance person pitch plays popular practice present produce ragas recital reference region religion religious respect rhythm rituals role Sams Sanskrit scale shows simple singers singing Siva songs sound stage story strings style sung svaras Tamil temple term Teyyam theatre theatrical theme traditional Tullal variety various village vocal voice whole women worship अरे रे