King Henry IV Part 1: Third Series, Part 1David Scott Kastan lucidly explores the remarkable richness and the ambitious design of King Henry IV Part 1 and shows how these complicate any easy sense of what kind of play it is. Conventionally regarded as a history play, much of it is in fact conspicuously invented fiction, and Kastan argues that the non-historical, comic plot does not simply parody the historical action but by its existence raises questions about the very nature of history. The full and engaging introduction devotes extensive discussion to the play's language, indicating how its insistent economic vocabulary provides texture for the social concerns of the play and focuses attention on the central relationship between value and political authority. |
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Page 8
... Folio , the play appears as the third of the ten plays grouped as ' Histories ' . It isn't , however , exactly clear what was understood by the generic label - or even if it is a generic label . Though the use of the word ' History ' on ...
... Folio , the play appears as the third of the ten plays grouped as ' Histories ' . It isn't , however , exactly clear what was understood by the generic label - or even if it is a generic label . Though the use of the word ' History ' on ...
Page 113
... Folio text more or less successfully removes the oaths that the 1606 Act to Restrain Abuses of Players ( 3 Jac . I , c . 21 ) had ordered expurgated , a procedure almost certainly not undertaken in the printing house . If it had ...
... Folio text more or less successfully removes the oaths that the 1606 Act to Restrain Abuses of Players ( 3 Jac . I , c . 21 ) had ordered expurgated , a procedure almost certainly not undertaken in the printing house . If it had ...
Page 115
... Folio editors had access to the marked - up promptbook in addition to Q5 , one would expect at the very least that F would supply necessary stage directions where they are absent from Q5 and amplify or clarify those which are clearly ...
... Folio editors had access to the marked - up promptbook in addition to Q5 , one would expect at the very least that F would supply necessary stage directions where they are absent from Q5 and amplify or clarify those which are clearly ...
Contents
The sources of 1 Henry IV | 339 |
A note on Shakespeares metrics | 345 |
The play in manuscript | 349 |
Copyright | |
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Common terms and phrases
action actor Anon Ard² Bardoll battle Battle of Shrewsbury blood Blount Bolingbroke Capell Carrier character counterfeit crown death Dent doth Douglas E. M. W. Tillyard Earl edition editors England English Enter Exeunt Exit F lines Falstaff father fear Folio Francis Gad's Hill GADSHILL Glendower Hal's Harry hast hath haue Henry IV plays Henry the Fourth Henry's Holinshed honour horse HOSTESS Hotspur Jack King Henry King's knight LADY PERCY Lancaster lord lord of Westmorland manuscript mark Mortimer noble Northumberland Oldcastle perhaps Peto phrase play's Poins political PRINCE Prince of Wales printed proverbial quartos Ravenspur reading rebels refers Richard Richard II role Royal Shakespeare Company says scene Scot seemingly seems Shakespeare Shakespeare's play Shrewsbury Sir John Sir Walter BLOUNT speak stage subst suggests syllables tavern tell Theatre thee Thomas thou art tion Wales Welsh Westmorland Worcester word Zounds