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THE NEW MAGAZINE.
On THURSDAY the 15th of AUGUST, price 6d., or by post Eight Stamps,

No. I. of

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CONTENTS OF No. 1. 1. BRAKESPEARE; OR, THE FORTUNES OF A FREE LANCE. By the Author of “Guy Livingstone."

With a full-page Illustration by J. A. PASQUIER. Chapters I. to V.
2. CHARMIAN. By ROBERT BUCHANAN.
3. DRAMATIC CRITICS CRITICISED. By John HOLLINGSHEAD.
4. A WONDERFUL CRAB. By ERNEST GRISET. With 8 Illustrations.
5. WILLIAM CULLEN BRYANT AND AMERICAN POETRY. By W. CLARK RUSSELL.
6. FLO'S FATE. By CLEMENT SCOTT.
7. HOLLAND HOUSE. By the Rev. J. C. M. BELLEW. With a full-page Illustration by R. C. HULJE.
8. FALLING IN LOVE. By the Author of “ The Gentle Life."
9. IN THE SEASON. By EDMUND YATES. With a full-page Illustration.
10. ENGLISH STABILITIES. By the Rev. C. W. Dexison.
11. SECOND THOUGHTS. By F. C. BURNAND,

Preface or Introduction
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Chapter 1.
1

Chapter II. 12. AMARANTH. By SAVILE CLARKE.

No. 2 will contain Contributions from The Author of “ Guy Livingstone.” ARTHUR SKETCHLEY.

REV. C. W. DENISON. W. W. FENN.

W. S. GILBERT.

REV. J. C. M. BELLEW. J. ASHBY STERRY.

“ NICHOLAS.”

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LONDON, SATURDAY, AUGUST 17, 1867,

stand : still less how Douce can resort to the

extraordinarily forced interpretation that Juliet CONTENTS.-N° 294.

alludes to herself as “a runaway from duty.”. NOTES:-Shakespeariana : Runaway's Eyes: “Romeo and Blackstone, who seems to read “runaway eyes,'

Juliet" - Curious Printing of the First Folio -- Hamlet to Guildenstern —"Troilus and Cressida" -"As you like

supposes, if I understand his note, these words to it.” 121 -" Chevy Chase,” 123 - Political Epigrams of last mean the stars—a good-enough interpretation, Century, 124 - English Adherents of the House of Stuart, 125 - Fata Morgana in the Japygian Peninsula - Notes on

quoad general sense, and reminding us of Fly-leaves - False Quantity in Byron's “Don Juan".

“ Stars, hide your fires ! Silver Font - Washington's Masonic Apron - Stuffing the Let not light see my black and deep desires.” Ears with Cotton - An old Don-Juanic Rhyme - Lines

Macbeth, from a Canadian Paper - Holland : fine Linen, 126. QUERIES:- Unknown Object iu Yaxley Church, Suffolk,

But it is difficult to feel quite satisfied with the 128 - Portraits of Yorkshiremen, Ib. - Lord Darnley – propriety of the epithet “runaway,” as applied to Depledge-Ermine in Heraldry - Passage from Fortescue Earl of Home - "Frightened Isaac" - Sir Godfrey both runaways: day at the approach of night;

these winking eyes of night. Day and night are Kneller - Passare in "Don Juan" - Permanent Colours - A Philosophic Brute - Poem concerning St. Sepulchre's, and night, in turn, at that of day. Everything in London - Qualifications for Voting - "Quiz" – Royal Christian Names - Samuel Smith, of Prettlewell, Essex

nature is a runaway from something which sucScotish Peers: Eglinton Earldom Shenstone's Inn ceeds it. Verses — Vent - Wells in Churches, 129.

First. Why may not “ runaway's eyes," or QCERIES WITH ANSWERS:- The Fool in Pagan Times —

“ runaway eyes,” mean the eyes of those prying St. John of Beverley, 132.

pests of society, whose business and pleasure it is REPLIES:- Pews or Seats, 133 - Cap.a-pie, 135 - Bishop Hay, 136 - Debentures

to lie ever on the watch for any faux pas on the Earl St. Vincent - Duke of Moncada, Marquis D'Aytone part of their neighbours, and, having seen one, to -"Cut one's Stick” – Coat Cards or Court Cards - 'Sup: pressed Poem of Lord Byron" Perjury Source of

run away and spread the discovery through every Quotations wanted - James Hamilton — “All is lost save “scandalous college” of which they are members? Honour" - Shekel - Frederick Prince of Wales — Hang Does not Juliet simply mean : May the eyes of ing in the Bell-ropes - Churches - Almack's – Walking under a Ladder - Rule of the Road — Verna: Creole, &c.

any watcher, lying perdu to run away with a re- Drinking Healths in New England, &c., 136.

port of our meeting, be made to winkbe blinded Notes on Books, &c.

in spite of their malicious acuteness, by the darkness—and our interview consequently remain un

seen and untalked of? “ Untalked of” seems to Potes.

me conclusive that Juliet was afraid of somebody SHAKSPEARIANA.

who could “talk.” So evidently thought the

German translator, when he rendered the passage RUNAWAY'S EYES: “ ROMEO AND JULIET ”

(one-volume Shakspere, Wien, 1826): – (Act III. Sc. 2). —

“ Verbreite deinen dichten Vorhang, Nacht, * That runaway's eyes may wink,” &c., &c.

Du Liebespflegerinn! damit das Auge Is there room in “N. & Q.” for yet one word Der Neubegier sich schliess', und Romeo

Mir unbelauscht in diese Arme schlüppe!” on this thoroughly winnowed, but still "vexed” passage ?

To me this interpretation is the simplest and If we resolve on adopting a conjectural reading, most satisfactory: but secondly, to bring out this I

suppose opinions may fairly be divided between meaning more unmistakeably, is it not possible "rude day's," "rumour's," and "rumourers'.” that the second word is the one misprinted-its As for "unawares," I heartily agree with the first letter having also got accidentally tacked on critic who pronounced it "villainous," and should to the preceding word; and that we ought, inbe much disposed to apply the same epithet to stead of “runaway's eyes,” to read “ runaway “ renomy's.” “Enemies'” is neither very good spies," or, with the alteration of only one letter, nor very bad - certainly not satisfactory. runawaye spyes”? Everyone notoriously loves

Let us make one more effort to expound the his own brain-children too much; but I must say, text as it stands. Warburton, who holds Phoebus if we are to alter at all, this alteration appears to to be meant, or Halpin, who stands up gallantly me to be as reasonable and small as any hitherto for Cupid, may possibly be right. Indeed it is suggested by bigger men than I. But I am quite impossible not to admit the great ingenuity of content to gather the same meaning, without any the argument for the last interpretation. But, alteration whatever, from the words as they stand. even if I acquiesced in the conclusion, I should “Even the attempt,” says MR. KEIGHTLEY, still dissent from the dictum of a critic in Black- elucidate, if it be only a single word in our great wood, that “there could not be a happier-chosen dramatist, though mayhap a failure, is laudable;" and more expressive word than "runaway's' as

and I therefore offer no apology for casting my here employed."

small conjectural pebble on the huge cairn which How Steevens can satisfy himself that Night commentators and critics have heaped over the herself is the personage intended, I cannot under- bones of Shakspere.

“ to

In the copy of Romeo and Juliet, in the library the difficulty by substituting anser, pronounced of the Garrick Club-adapted to the stage by by the ignorant handser, and at last handsaw. I David Garrick, revised by J. P. Kemble, and have always considered the word to be a corruppublished as it is acted at the Theatre Royal tion of hern-shaw; i. e. heronry; Heron was graCovent Garden (1811), the reading is —

dually contracted, in the speech of the vulgar, to “ That the runaway's eyes may wink,” &c.

hern, and at length crept into poetry. Gay writes :

" The tow'ring hawk, let future poets sing, Is there any authority whatever for this ?

Who terror bears upon his soaring wing;
H, K.

Let them on high the frighted hern survey,

And lofty numbers paint their airy fray.” Curious PRINTING OF THE FIRST FOLIO.-I

The encounter between the hawk and the heron am not aware if the circumstances of the position was a favourite pastime in the middle ages for of Troilus and Cressida, in the volume of 1623 princes and nobles, and they watched the contest have been fully commented on by bibliographers with strained gaze, as the one attacked and the and editors - 1. It does not appear at all in the other threw himself on his back to receive his too list of contents. 2. It is inserted, out of all order

eager assailant on the long sharp beak, which freas to paging and signature, after Henry VIII.

quently proved a fatal stratagem to the bird of which ends the histories, and before Coriolanus, prey. That Shakspeare was a dear lover from which should commence the tragedies.

early youth of field sports we gather from the It has remains of its own paging on the 2nd and hackneyed version of his deer-stealing-say rather 3rd pages only, being 79, 80 respectively; and, on poaching-in Sir Thomas Lucy's domain, and his what should be the 81st page, appears as a signa- ridicule of that worthy squire for inflicting mature apparently the italic capital G, followed as gisterial punishment on the culprit. And it is an interpolated signature by p reversed, the usual curious to note in this our day-three hundred mark used to indicate a paragraph in the autho- years later—a similar result, how the offenders rised version. On examining further I find that against the game laws have the press and playit has evidently been displaced to make room for wrights as apologists for their transgressions. No Timon of Athens. There is no signature i i, nor any doubt there was near the domain at Charlecote a pagination from 100 to 108 inclusive among the heronry as well as a deer preserve, and our imtragedies. Romeo and Juliet ends at p. 77, being mortalbard may have incurred the penalty of the part of signature gg; Julius Cæsar begins at p. 109, sixteenth century-twenty shillings for killing a being part of signature k k. Troilus and Cressida, if heron, and ten shillings for robbing her nest. At continuously paged, would begin at p. 78, being any rate he was much more likely to put into part of signature G italic, and end at p. 106. If Hamlet's mouth a proverb relating to the highlywe then allow a page and á blank for the prologue, prized sport of hawks and herons, than any alluwe exactly fill the space required; whereas, Timon sion to a silly goose. of Athens, the substitute, falls short by eight

“ The heron, when she soareth high, sheweth winds." pages of the required quantity. From this it is quite evident that, as the volume was originally By which I take Bacon to allude to the practice set up in type, Troilus and Cressida must have of using this bird in field sports. And though been " cast off” to follow Romeo and Juliet, and Hamlet might feign to be "mad north-north to precede Julius Cæsar.

west to deceive the players to suit his own purIt will be curious at this distance of time to pose, yet Shakspeare artistically adds, “when the speculate as to the causes of this alteration. wind is southerly," to show he was no fool as a There is one anomaly, however: allowance is sportsman.

QUEEN'S GARDENS. made in this paging for the prologue to follow, not precede Troilus and Cressida; but it is not pos “ TROILUS AND CRESSIDA,” Act IV. Sc. 5, sible the whole play can have been shifted from 1, 59.its original position merely on account of a diffi

“ 0, these encounterers, so glib of tongue, culty so easily remedied, and thus placed, as it That give a coasting welcome ere it comes." were, in limbó between history and tragedy, as

I find in Roquefort a quotation very apposite to though the editors were in doubt with which

this

passage : division properly to locate it.

“Mais le Dieu d'amours m'a suivi,

Et de loin m'estoit costoiant, HAMLET TO GUILDENSTERN (3rd S. xii. 3.)

Me regardant et espiant,

Comme le veneur fait la beste, “I am but mad north-north west ; when the wind is

Pour me ferir de sa sajete.” southerly, I know a hawk from a hand-saw."

Roman de la Rose. As your correspondent J. A. G. can find no ex Roquefort gives, “ Costoier=Suivre, aller planation of this proverb, he offers a solution of après." Cotgrave gives, “Costoyer=To accoast,

H.

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