Essays and Studies, Issue 72 |
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Page xi
... hand , it may be reasonably assumed , or at least it may plausibly be alleged , that a writer whose interest or whose admiration is confined to the works of a single school or the effects of a particular style in art can claim no higher ...
... hand , it may be reasonably assumed , or at least it may plausibly be alleged , that a writer whose interest or whose admiration is confined to the works of a single school or the effects of a particular style in art can claim no higher ...
Page 3
... hand to assault the fame of Bacon on the ground that he has not written in the manner of Shakespeare ; or Newton's , because he has not written like Milton . This premised , I shall leave the dissection of names and the anatomy of ...
... hand to assault the fame of Bacon on the ground that he has not written in the manner of Shakespeare ; or Newton's , because he has not written like Milton . This premised , I shall leave the dissection of names and the anatomy of ...
Page 4
... hands with them , and they are always much the same at root , only stronger and weaker with this man than with that ; therefore it needs only the hand of a great poet to paint them greatly , after their true and very likeness . But the ...
... hands with them , and they are always much the same at root , only stronger and weaker with this man than with that ; therefore it needs only the hand of a great poet to paint them greatly , after their true and very likeness . But the ...
Page 11
... hand to deeper music than here . There is nothing in his work of a more heavenly kind ; yet , or it may be because , every word has in it the vibra- tion of earthly emotion ; but through it rather than above , there grows and pierces a ...
... hand to deeper music than here . There is nothing in his work of a more heavenly kind ; yet , or it may be because , every word has in it the vibra- tion of earthly emotion ; but through it rather than above , there grows and pierces a ...
Page 18
... hand has never been firmer , his note more clear than now ; ἔτι γὰρ θεόθεν καταπνείει πειθὼ μολπᾶν ἀλκᾷ ξύμφυτος ... hand with fire which was quenched on the other hand in blood : to cast from him the obloquy of men who refused to hear ...
... hand has never been firmer , his note more clear than now ; ἔτι γὰρ θεόθεν καταπνείει πειθὼ μολπᾶν ἀλκᾷ ξύμφυτος ... hand with fire which was quenched on the other hand in blood : to cast from him the obloquy of men who refused to hear ...
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Common terms and phrases
admirable Æschylus ALFRED CONCANEN Arnold artist beauty better breath BRET HARTE Byron charm clear cloth extra Coleridge colour critical Crown 8vo Cyclops Dante delight divine Duchess of Malfi Edited English evil exquisite eyes face faith faultless fiery figure fire flower force Ford fresh genius gilt give glory grace grave hair hand harmony head heaven JAMES PAYN JAMES RICE JUSTIN MCCARTHY Keats labour less light lips living lyric man's master memory metre mind Molière nature never noble once OUIDA painter passion pathos perfect Philistine picture play poem poet poetic poetry Portrait praise pure Rossetti scene seems sense Shakespeare Shelley Shelley's side sketch song soul sound spirit splendid splendour stanza strength strong student style subtle sweet tender things thought Titian touch tragedy tragic truth verse Victor Hugo WILKIE COLLINS wind words worth
Popular passages
Page 10 - German Popular Stories. Collected by the Brothers GRIMM, and Translated by EDGAR TAYLOR. Edited with an Introduction by JOHN RUSKIN. With 22 Illustrations after the inimitable designs of GEORGE CRUIKSHANK. Both Series Complete. " The illustrations of this volume . . . are of quite sterling and admirable art, of a class precisely parallel in elevation to the character of the tales which they illustrate; and the original etchings, as / have before said in the Appendix to my ' Elements of Drawing* were...
Page 291 - Could you on this fair mountain leave to feed, And batten on this moor? Ha! have you eyes? You cannot call it love; for at your age The heyday in the blood is tame, it's humble, And waits upon the judgment; and what judgment Would step from this to this?
Page 15 - Lamb's Complete Works, in Prose and Verse, reprinted from the Original Editions, with many Pieces hitherto unpublished. Edited, with Notes and Introduction, by RH SHEPHERD. With Two Portraits and Facsimile of a Page of the
Page 18 - And he spread it before me ; and it was written within and without : and there was written therein lamentations, and mourning, and woe.
Page 13 - Works by : The Hygiene of the Skin. A Concise Set of Rules for the Management of the Skin: with Directions for Diet, Wines, Soaps, Baths, &c.
Page 137 - Is it so small a thing To have enjoyed the sun, To have lived light in the spring, To have loved, to have thought, to have done; To have advanced true friends, and beat down baffling foes...
Page 11 - Shelley's Early Poems, and Queen Mab, with Essay by LEIGH HUNT. Shelley's Later Poems: Laon and Cythna, &c. Shelley's Posthumous Poems, the Shelley Papers, &c. Shelley's Prose Works, including A Refutation of Deism, Zastrozzi, St. Irvyne, &c.
Page 28 - Signboards : Their History. With Anecdotes of Famous Taverns and Remarkable Characters. By JACOB LARWOOD and JOHN CAMDEN HOTTEN. With nearly too Illustrations.
Page 1 - Advertising, A History of, from the Earliest Times. Illustrated by Anecdotes, Curious Specimens, and Notices of Successful Advertisers. By HENRY SAMPSON. Crown 8vo, with Coloured Frontispiece and Illustrations, cloth gilt, 7s. 6d. Agony Column (The) of " The Times,
Page 26 - Illustrations. Magician's Own Book : Performances with Cups and Balls, Eggs, Hats, Handkerchiefs, &c. All from Actual Experience. Edited by WH CREMER.