Sound and Music : a Non-mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony, Including the Chief Acoustical Discoveries of Professor Helmholtz |
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Page xi
... - Divergence from the views of musical theorists , § 92 - Dissonance due to combination - tones produced between the partial - tones of clangs forming a given interval , § 93 . CHAPTER IX . ON CONSONANT TRIADS . Rules for the CONTENTS . xi.
... - Divergence from the views of musical theorists , § 92 - Dissonance due to combination - tones produced between the partial - tones of clangs forming a given interval , § 93 . CHAPTER IX . ON CONSONANT TRIADS . Rules for the CONTENTS . xi.
Page xii
Sedley Taylor. CHAPTER IX . ON CONSONANT TRIADS . Rules for the employment of vibration - fractions , SS 94-96 - Inver- sion of intervals , § 97 -- Definition of a consonant triad , § 98- Determination of all the consonant tonic triads ...
Sedley Taylor. CHAPTER IX . ON CONSONANT TRIADS . Rules for the employment of vibration - fractions , SS 94-96 - Inver- sion of intervals , § 97 -- Definition of a consonant triad , § 98- Determination of all the consonant tonic triads ...
Page 189
... triads . ' A binary chord is , of course , consonant if its two notes form a consonant interval . A triad contains three intervals , one be- tween its extreme notes , and one between the middle note and each of the other two . In order ...
... triads . ' A binary chord is , of course , consonant if its two notes form a consonant interval . A triad contains three intervals , one be- tween its extreme notes , and one between the middle note and each of the other two . In order ...
Page 190
... triad itself is consonant . In order to determine all the consonant triads within an octave above the fixed bottom note , we must assign to the middle and top notes every possible consonant position with respect to the bottom note , and ...
... triad itself is consonant . In order to determine all the consonant triads within an octave above the fixed bottom note , we must assign to the middle and top notes every possible consonant position with respect to the bottom note , and ...
Page 191
... cases : Middle Note . Upper Note . Minor Third Fifth , or Minor Sixth Major Third Fifth , or Major Sixth Fourth Minor Sixth , or Major Sixth or , in musical notation , They give us two IX . § 100. ] 191 CONSONANT TRIADS .
... cases : Middle Note . Upper Note . Minor Third Fifth , or Minor Sixth Major Third Fifth , or Major Sixth Fourth Minor Sixth , or Major Sixth or , in musical notation , They give us two IX . § 100. ] 191 CONSONANT TRIADS .
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Common terms and phrases
absolute pitch Accordingly air-column assigned called chords coincides combination-tone complete composite sounds concord consonance and dissonance contains corresponding crest Crown 8vo direction discord dissonance effect English equal temperament exactly fact fcap Fifth fixed follows fork forms of vibration Fourth fundamental tone fundamental-tone give rise harmonium heard Helmholtz Hence human voice instrument intensity inversion length level-line loudness lower Major scale Major Third ment middle Minor Seventh Minor Sixth mode of vibration motion musical sound nodes notation obtained octave open pipe original overtones pair partial-tones particle pendulum pianoforte piston pitch position present produced prong pulse-length rapid rarefaction reader resonance resonance-boxes result says scale semi-tone shown simple tones single musical stopped pipe string suppose theory tion tonic Tonic Sol-Fa triads trough tube tuning tuning-fork unison ventral segments vibration-fraction vibration-numbers vibrations per second volume wave-form wave-length wires
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