Music: A Monthly Magazine, Devoted to the Art, Science, Technic and Literature of Music, Volume 15W. S. B. Mathews, 1899 - Music |
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Page 45
... movement of this " veiled symphony " foreshadows in its powerful architec- ture and daring organization the future tone master . Al- though the influence of Beethoven , Schubert and Schumann is plainly discernible , the theme is largely ...
... movement of this " veiled symphony " foreshadows in its powerful architec- ture and daring organization the future tone master . Al- though the influence of Beethoven , Schubert and Schumann is plainly discernible , the theme is largely ...
Page 65
... movement is merely a sort of perpetual motion , illustrating Mme . Zeisler's remarkably clear and even finger work . The solos were thrown in to please the public . With reference to the pre - eminent position tradition- ally accorded ...
... movement is merely a sort of perpetual motion , illustrating Mme . Zeisler's remarkably clear and even finger work . The solos were thrown in to please the public . With reference to the pre - eminent position tradition- ally accorded ...
Page 70
... movements as usual in the clas- sical concerto . The first , in E flat , is of a genial and pleasant character , on the whole much less inspired than the first movement of the Heroic symphony , which , however , it some- what resembles ...
... movements as usual in the clas- sical concerto . The first , in E flat , is of a genial and pleasant character , on the whole much less inspired than the first movement of the Heroic symphony , which , however , it some- what resembles ...
Page 71
... movement is short and very beautiful indeed and there is a very pretty variation work in the last part of it between the piano and the orchestra . The last movement , the rondo , is obsolete . It is not interesting either as music or as ...
... movement is short and very beautiful indeed and there is a very pretty variation work in the last part of it between the piano and the orchestra . The last movement , the rondo , is obsolete . It is not interesting either as music or as ...
Page 72
... movement before the solo instrument is allowed to appear at all . Tausig reduces this to an introduc- tion of a few measures in length , after which the solo instru- ment enters as in the beginning . When it comes to the long sequences ...
... movement before the solo instrument is allowed to appear at all . Tausig reduces this to an introduc- tion of a few measures in length , after which the solo instru- ment enters as in the beginning . When it comes to the long sequences ...
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American composers arpeggio Arthur Foote artist audience Bach beautiful Beethoven Boston Brahms Chicago Chopin chords chorus Club compositions concert Conservatory David Bispham Dwight effect Emil Sauer entirely exercises expression Felix Weingartner flat fugue German Gewandhaus give given Godowsky grade Hall hand harmony hear heard idea instrument interesting Leipzig Liszt Mason master measures melody Mendelssohn ment minor Miss modern movement Mozart musicians nature never notes octave opera opus oratorio orchestra organ overture Paganini pedal performance Persian Garden pianist piano playing pianoforte pieces player practice prelude present produced pupils quartette recital rhythm Richard Strauss scale Schumann selections singers singing solo soloist sonata songs soprano sound success symphony teacher teaching technic theme things tion tone violin virtuoso vocal voice W. S. B. Mathews Wagner White Russia writer young