Music: A Monthly Magazine, Devoted to the Art, Science, Technic and Literature of Music, Volume 15W. S. B. Mathews, 1899 - Music |
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Page ix
... generation will be he instruments of be true in all re- arbarous tribes ect an almost and this is usical instru- se , string , as was only five tone musi Peterson , E. O. The Gates of Paradise .... Potter. THE EVOLUTION OF MUSIC . 3.
... generation will be he instruments of be true in all re- arbarous tribes ect an almost and this is usical instru- se , string , as was only five tone musi Peterson , E. O. The Gates of Paradise .... Potter. THE EVOLUTION OF MUSIC . 3.
Page 2
... true throughout the entire course of the development . The conception of music and the conception of musical aesthetics ( the end to be subserved by music , and the poetical suggestions to be awakened by music ) have been more brilliant ...
... true throughout the entire course of the development . The conception of music and the conception of musical aesthetics ( the end to be subserved by music , and the poetical suggestions to be awakened by music ) have been more brilliant ...
Page 3
... true in all re- spects appertaining to tonal properties . In barbarous tribes where only drums make music we might expect an almost complete absence of the perceptions of melody , and this is indeed largely the case . In a nation whose ...
... true in all re- spects appertaining to tonal properties . In barbarous tribes where only drums make music we might expect an almost complete absence of the perceptions of melody , and this is indeed largely the case . In a nation whose ...
Page 4
... true , had a rude imitation of legato , but the tone was entirely inexpressive , beginning and ending with the same volume under all circumstances . Nevertheless , from the time the organ came into general use in the great musical cen ...
... true , had a rude imitation of legato , but the tone was entirely inexpressive , beginning and ending with the same volume under all circumstances . Nevertheless , from the time the organ came into general use in the great musical cen ...
Page 12
... true relation of the major scale , Do , re , mi and fa , excepting that the interval between the first and second degree is misplaced , the true order being 9-8 , 10-9 , 16-15 . He then goes on to construct an octave by repeating this ...
... true relation of the major scale , Do , re , mi and fa , excepting that the interval between the first and second degree is misplaced , the true order being 9-8 , 10-9 , 16-15 . He then goes on to construct an octave by repeating this ...
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American composers arpeggio Arthur Foote artist audience Bach beautiful Beethoven Boston Brahms Chicago Chopin chords chorus Club compositions concert Conservatory David Bispham Dwight effect Emil Sauer entirely exercises expression Felix Weingartner flat fugue German Gewandhaus give given Godowsky grade Hall hand harmony hear heard idea instrument interesting Leipzig Liszt Mason master measures melody Mendelssohn ment minor Miss modern movement Mozart musicians nature never notes octave opera opus oratorio orchestra organ overture Paganini pedal performance Persian Garden pianist piano playing pianoforte pieces player practice prelude present produced pupils quartette recital rhythm Richard Strauss scale Schumann selections singers singing solo soloist sonata songs soprano sound success symphony teacher teaching technic theme things tion tone violin virtuoso vocal voice W. S. B. Mathews Wagner White Russia writer young