The Nemean and Isthmian Odes |
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Page 2
... present . The chorus per- formed it at the πрólυрov , i . e . before the principal door of the palace . Mezger well compares Chromios with Thêrôn , and says that his praises came straight from the poet's inmost heart . It is therefore ...
... present . The chorus per- formed it at the πрólυрov , i . e . before the principal door of the palace . Mezger well compares Chromios with Thêrôn , and says that his praises came straight from the poet's inmost heart . It is therefore ...
Page 2
... present . The chorus per- formed it at the πрóðνроv , i . e . before the principal door of the palace . Mezger well compares Chromios with Thêrôn , and says that his praises came straight from the poet's inmost heart . It is therefore ...
... present . The chorus per- formed it at the πрóðνроv , i . e . before the principal door of the palace . Mezger well compares Chromios with Thêrôn , and says that his praises came straight from the poet's inmost heart . It is therefore ...
Page 22
... present in Aegina , as τάνδε νᾶσον ( v.68 ) is not conclusive on the point . Cf. Ól . VIII . 25 , Pyth . 1x . 91 . seems best , in spite of Böckh , Dissen , & c . , to explain that the chorus is awaiting the moment of inspiration at ...
... present in Aegina , as τάνδε νᾶσον ( v.68 ) is not conclusive on the point . Cf. Ól . VIII . 25 , Pyth . 1x . 91 . seems best , in spite of Böckh , Dissen , & c . , to explain that the chorus is awaiting the moment of inspiration at ...
Page 24
... present , which is rare in Pindar , but cf. Ol . II . 23 , Pyth . iv . 163 . 19. For sentiment cf. Οl . VIII . 19 , ΙΧ . 94 , ὡραῖος ἐὼν καὶ καλὸς κάλλιστά τε ῥέξαις , Isth . vi . 22 . 21. Cf. ΟΙ . 111. 43 . 22. ἥρως θεός . ] Hero and ...
... present , which is rare in Pindar , but cf. Ol . II . 23 , Pyth . iv . 163 . 19. For sentiment cf. Οl . VIII . 19 , ΙΧ . 94 , ὡραῖος ἐὼν καὶ καλὸς κάλλιστά τε ῥέξαις , Isth . vi . 22 . 21. Cf. ΟΙ . 111. 43 . 22. ἥρως θεός . ] Hero and ...
Page 25
... present perfect like yéya0e . Pêleus is represented as still rejoicing in the renown of his spear cutting , sung by rhapsodists , cf. Il . XVI . 140-144 ( repeated xIx . 387-391 ) . The Schol . quotes τάμε for πόρε in the line Πηλιάδα ...
... present perfect like yéya0e . Pêleus is represented as still rejoicing in the renown of his spear cutting , sung by rhapsodists , cf. Il . XVI . 140-144 ( repeated xIx . 387-391 ) . The Schol . quotes τάμε for πόρε in the line Πηλιάδα ...
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