 | Leigh Hunt - English literature - 1811 - 510 pages
...extinguished that love uf beauty zshich belonged to him as a poet, so often and so gladly in. troduces as the central figure in a crowd of humorous deformities, which figure (such is the power of true genins) neither acts nor is meant to act as a contrast ; but diffuses through all, and over F 3 each... | |
 | Samuel Taylor Coleridge - Ethics - 1812 - 466 pages
...wanting beside it one of those beautiful female faces which the Same Hogarth, in whom the >.atyrist never extinguished that love of beauty which belonged...gladly introduces as the central figure in a crowd of humourous deformities, which figure (such is the power of true genius!) neither acts, nor is meant... | |
 | 1815 - 558 pages
...was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which...neither acts, nor is meant to act, as a contrast, but diffuses through all, • If there are any of that description, they are in his StroUiiitf Playen,... | |
 | English literature - 1814 - 1032 pages
...was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, 50 often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure... | |
 | 1815 - 554 pages
...was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which...neither acts, nor is meant to act, as a contrast, but diffuses through all, * If there are any of that deseription, they are in his Strolling Players, a... | |
 | Samuel Taylor Coleridge - Aesthetics - 1817 - 326 pages
...wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satyrist never extinguished that love of beauty which belonged...gladly introduces as the central figure in a crowd of humourous deformities, which figure (such is the power of true genius !) neither acts, nor is meant... | |
 | Samuel Taylor Coleridge - Aesthetics - 1817 - 316 pages
...belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which figure (such is the power of true...neither acts, nor is meant to act as a contrast ; but diffuses through all, and over each of the group, a spirit of reconciliation and human kindness ; and... | |
 | Charles Lamb - 1818 - 288 pages
...was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which...gladly introduces as the central figure in a crowd of humourous deformities, which figure (such is the power of true genius) neither acts nor is meant to... | |
 | English literature - 1826 - 566 pages
...innate, in spite of certain critics calling him a vulgar artist. Coleridge says of him, that " the satirist never extinguished that love of beauty, which belonged to him as a poet." As a painter of morals Hogarth stands without a competitor. The French critics complain, that the English... | |
 | William Hogarth - Art - 1833 - 538 pages
...was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the Satirist never extinguished that love of beauty which...gladly introduces as the central figure in a crowd of humourous deformities ; which figure (such is the power of true genius) neither acts, nor is meant... | |
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never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty... 
