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alliteration Antony Bradley called chapter character Claudius Cleopatra Coleridge comes concern continues contrast critics crown death detail difference direction drama earlier early equally essay example face father feel feminist Fool give goes Hamlet hand hear heart Henry Hotspur human ibid idea Johnson keep kind King Knight language later Lear Lear's less lines live look lord Macbeth meaning mercurial metaphor mind nature notes novel opening particular passage pattern phrase play play's pleasure political position present Queene question quoted reason relation rhetoric Richard Ryan scene sense Shakespeare soliloquy speak speech stage stress structure suggests talk tell thee things thou thought turn verse voice whole wordplay writing young
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Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice ...
No preview available - 1998