Music, Masti, Modernity: The Cinema of Nasir Husain

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HarperCollins, Oct 10, 2016 - Performing Arts - 424 pages

Debuting as a film-maker in 1957 with Tumsa Nahin Dekha, Nasir Husain became one of the most successful film-makers in Hindi cinema over the next twenty-five years with musical blockbusters like Phir Wohi Dil Laya Hoon, Teesri Manzil, Caravan, Yaadon Ki Baaraat and Hum Kisise Kum Naheen.This book analyses the work of Husain and how his films played an important role in shaping commercial Hindi cinema as it exists today. Through interviews with a number of prominent film personalities such as Aamir Khan, Mansoor Khan, Asha Parekh, Javed Akhtar, Karan Johar and Aditya Chopra, the book contextualizes Husain's legacy and places him as one of the important auteurs of Hindi cinema.
 

Contents

Foreword by Aamir Khan Introduction
Prologue
Shareer Ladka to Almost Diplomat
Filmistan
He Was Shammi Kapoor
Decoding the Nasir Husain Formula
Sar Par Topi Laal Girls on Trees and Colour in the Countryside
Cosmopolitanism Clubs and R D Burman Mélange Magnifique
Caravan the Woman and Whatacabaret
Of Bichhdey Huey Bhai and Musical Screenplays
The Other Big
Style Spectacle and a String of Flops
Burning Bright Fading Away
A Frothy Formulaic Filmmakers Legacy
Epilogue
Notes

Breaking the Mould the Gandhian
Comedy Complicated Plots and Some Nasha Daulat

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About the author (2016)

Akshay Manwani's first book, Sahir Ludhianvi: The People's Poet, was critically acclaimed and has been a bestseller. He writes on Indian cinema and popular culture for a variety of publications such as the Caravan, The Indian Quarterly, Scroll.in, Mint, Business Standard and Mumbai Mirror.

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