Poets Teaching Poets: Self and the WorldGregory Orr, Ellen Bryant Voigt div Essays on the craft and relevance of poetry by distinguished practitioners and teachers of the art br /div |
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Page 138
... beginning of every historical literary system is seen to be announced by a " calling " of the person to conformity with the paradigm of the project of poetic representation- " a conversion of the mind " and an empowerment by means of ...
... beginning of every historical literary system is seen to be announced by a " calling " of the person to conformity with the paradigm of the project of poetic representation- " a conversion of the mind " and an empowerment by means of ...
Page 178
... beginning ( and before the beginning ) to the end . In his earlier notebooks , he wrote these " Rules for Composition " : A perfectly transparent , plate - glassy style , artless , with no orna- ments , or attempt at ornaments . . Take ...
... beginning ( and before the beginning ) to the end . In his earlier notebooks , he wrote these " Rules for Composition " : A perfectly transparent , plate - glassy style , artless , with no orna- ments , or attempt at ornaments . . Take ...
Page 240
... beginning , mid- dle , and end . But the writer can have no real sense of the beginning , middle , and end until he has a sense of the work's purpose . Even the most original and avant - garde work can be seen to have a beginning ...
... beginning , mid- dle , and end . But the writer can have no real sense of the beginning , middle , and end until he has a sense of the work's purpose . Even the most original and avant - garde work can be seen to have a beginning ...
Contents
Introduction | 1 |
Obstinate Humanity | 23 |
MARIANNE BORUCH | 48 |
Copyright | |
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Archilochus artistic audience beauty become bees beginning body C. K. Williams called create culture dead death discovery dramatic Eliot Ellen Bryant Voigt emotion essay example experience expressive eyes fact feeling figure function girl grass Greek Hass heart hive Homer human idea imagination individual inner Jeffers language Leaves of Grass living logic look Louise Glück lyric mass means Medusa memory metaphor mind move narrative object Orpheus paradigm passionate person Philomela poem poem's poet poet's poetic poetry Pound reader representation rhyme Rilke Robert Hass Romantic Sappho seems sense singing social song sonnet soul speaker speaking stanza Stephen Dobyns Stevens story structure style surprise Sylvia Plath syntax T. S. Eliot Ted Hughes temperament tension things thought tion traditional translations Tranströmer turn University vision voice Warren Wilson College Whitman whole Williams word Wordsworth writing wrote Yeats Yeats's