Das Motiv des Fegefeuers bei Samuel Beckett |
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Page 11
... Murphy : " [ I ] t is clear from the concluding passage of Dante and Joyce that Beckett is , behind the scenes as it were , using them to clarify his own views . " In diesem Sinne kann jene Beckett - Passage als ein frühes Indiz ge ...
... Murphy : " [ I ] t is clear from the concluding passage of Dante and Joyce that Beckett is , behind the scenes as it were , using them to clarify his own views . " In diesem Sinne kann jene Beckett - Passage als ein frühes Indiz ge ...
Page 15
... Murphy , " The Ideal Core of the Onion : Reading Beckett Archives , Hrsg . John Pilling und Mary Bryden ( Reading : Beckett International Foundation , 1992 ) , 1-20 ; Sebastian Neumeister , " Das allegorische Erbe . Zur Wiederkehr ...
... Murphy , " The Ideal Core of the Onion : Reading Beckett Archives , Hrsg . John Pilling und Mary Bryden ( Reading : Beckett International Foundation , 1992 ) , 1-20 ; Sebastian Neumeister , " Das allegorische Erbe . Zur Wiederkehr ...
Page 36
... Murphy , " 1-20 ; Sebastian Neumeister , " Das allegorische Erbe , " 107-112 . " So enthält etwa das Whoroscope Notebook ( RUL , MS 3000 ) eine detaillierte Auflistung der verschiedenen Ebenen des Danteschen Purgatoriums . Diese Notiz ...
... Murphy , " 1-20 ; Sebastian Neumeister , " Das allegorische Erbe , " 107-112 . " So enthält etwa das Whoroscope Notebook ( RUL , MS 3000 ) eine detaillierte Auflistung der verschiedenen Ebenen des Danteschen Purgatoriums . Diese Notiz ...
Page 37
... Murphy schreibt Knowlson : " [ T ] here is a Dantesque atmosphere about this setting ( with some hints of Hell , Purgatory and 15 John Fletcher , Samuel Beckett's Art , S. 106 . 16 John Fletcher , Samuel Beckett's Art , S. 121 . 17 1927 ...
... Murphy schreibt Knowlson : " [ T ] here is a Dantesque atmosphere about this setting ( with some hints of Hell , Purgatory and 15 John Fletcher , Samuel Beckett's Art , S. 106 . 16 John Fletcher , Samuel Beckett's Art , S. 121 . 17 1927 ...
Page 41
... Murphy in dem gleichnamigen Roman ist eine Verkörperung dieser Trägheit : " Murphy said that work would be the end of them both . " 39 anderer Stelle heißt es : " An atheist chipping the deity was not more senseless than Murphy ...
... Murphy in dem gleichnamigen Roman ist eine Verkörperung dieser Trägheit : " Murphy said that work would be the end of them both . " 39 anderer Stelle heißt es : " An atheist chipping the deity was not more senseless than Murphy ...
Contents
9 | |
17 | |
Aspekte der Fegefeuerlehre bei Samuel Beckett | 56 |
Abschlußbetrachtung | 178 |
Abkürzungsverzeichnis | 185 |
Bibliographie | 188 |
Common terms and phrases
abgekürzt Albert Camus Aspekte der Fegefeuerlehre Beckett's Beckettschen Charaktere Belacqua Bewegung Brienza Clov Complete Dramatic Works Dante Dante Alighieri Dante's dead death deutlich Drama Dream of Fair Ende Endgame Endlosigkeit erscheinen im Haupttext Erzähler Estragon Existenz Fair to Middling Fegefeuer Fegefeuerlehre Fegefeuermotiv first Flann O'Brien folgenden Geburt des Fegefeuers Geburt und Tod Gott Hamm Happy Days heißt Hoffnung und Hoffnungslosigkeit Hölle hope Hrsg Jacques Le Goff James Knowlson John Calder John Fletcher know Kontext Kunst der Paradoxie läßt Leben letztlich life Lost Ones Malone Mary Bryden Menschen Mercier und Camier Molloy Monolog Moran MPTK Murphy muß never Pause Play Pricks Than Kicks Purgatorium Purgatory Raymond Federman repr Rolf Breuer Roman Molloy schließlich schreibt hierzu Schuld Seele Sünde Text time University Press Unnamable Verstorbenen Vladimir und Estragon Waiting for Godot Warten auf Godot Watt weiteren Verweise Werk Becketts Werk erscheinen Werk Samuel Becketts wieder William Butler Yeats Yeats zeigt zusätzlicher Verweis
Popular passages
Page 47 - Doom'd for a certain term to walk the night, And for the day confined to fast in fires, Till the foul crimes done in my days of nature Are burnt and purged away.
Page 94 - Was I sleeping, while the others suffered? Am I sleeping now? Tomorrow, when I wake, or think I do, what shall I say of today? That with Estragon my friend, at this place, until the fall of night, I waited for Godot? That Pozzo passed, with his carrier, and that he spoke to us? Probably. But in all that what truth will there be?
Page 166 - So that I may say at all times, even when you do not answer and perhaps hear nothing, Something of this is being heard, I am not merely talking to myself, that is in the wilderness, a thing I could never bear to do — for any length of time. (Pause.) That is what enables me to go on, go on talking that is.
Page 165 - Sein; denn eben hieran ist der Knecht gehalten; es ist seine Kette, von der er im Kampfe nicht abstrahieren konnte, und darum 35 sich als unselbstständig, seine Selbstständigkeit in der Dingheit zu haben, erwies.
Page 100 - The eyes of all wait upon thee ; And thou givest them their meat in due season.
Page 168 - To all mankind they were addressed, those cries for help still rising in our ears! But at this place, at this moment of time, all mankind is us, whether we like it or not.
Page 90 - I'm tired. VLADIMIR: Look at it. They look at the tree. ESTRAGON: I see nothing. VLADIMIR: But yesterday evening it was all black and bare. And now it's covered with leaves.
Page 10 - Paradise: in the other there is no ascent and no ideal vegetation. In the one, absolute progression and a guaranteed consummation: in the other, flux— progression or retrogression, and an apparent consummation. In the one movement is unidirectional, and a step forward represents a net...
Page 77 - And yet ... (pause) . . . how is it - this is not boring you I hope - how is it that of the four Evangelists only one speaks of a thief being saved.