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THE ORIGINS OF MODERNISM 19001930
REBELLION AGAINST ROMANTICISM 19201950
MUSIC IN THE AGE OF ANXIETY 19501975
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Aaron Copland aesthetic Alban Berg Arnold Schoenberg art music artistic atonal music Bach Bach's band Bartok Beethoven Bela Bartok Berg Boulez Busoni century chords classical composer's composers composition concerning consciousness contemporary music Copland creative critics culture dance Debussy Edited effect elements Elliott Carter emotion essay European example experience experimental music expression feeling French fugues German harmony human ideas idiom imagination important improvisation individual influence inspiration instruments jazz John Cage Kurt Weill lecture listener material means melody Milhaud Milton Babbitt modern music musi musicians nature neoclassicism never Notes Text opera orchestra original Orleans peasant music perhaps piano piece Pierre Boulez played popular music ragtime Ralph Vaughan Williams rhythm rhythmic romantic seems Selective Bibliography sense serial Sonata song sounds speak spirit Stravinsky structure style Symphony technique term theory things tion tonal tradition translation tune twelve-tone University Virgil Thomson Wagner write York