The Circle of Our Vision: Dante's Presence in English Romantic PoetryThe sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood.Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work - its style, project, and achievement - commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of theirengagement with the Divine Comedy and the consequences for their own writing. It explores how these Romantic poets understood Dante, what they valued in his poetry and why, setting them in the context of contemporary commentators, translators, and illustrators, (including Fuseli, Flaxman, andReynolds) both in England and Europe. Romantic readings of the Divine Comedy are shown to disturb our own ideas about Dante, which are based on Victorian and Modernist assumptions.Pite also presents a reconsideration of the concept of `influence' in general, using the example of Dante's presence in Romantic poetry to challenge Harold Bloom's belief that the relations between poets are invariably a fight to the death. |
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Page 65
... judgement of God the Father on these ' sinners ' , a judgement that Vanni Fucci defies and Capaneo ( one of the Blasphemers , to whom Blake gives his grandest portrait , no . 27 ) impassively resists.59 Blake does not include Brunetto ...
... judgement of God the Father on these ' sinners ' , a judgement that Vanni Fucci defies and Capaneo ( one of the Blasphemers , to whom Blake gives his grandest portrait , no . 27 ) impassively resists.59 Blake does not include Brunetto ...
Page 99
... judgement suspended in an encounter , and the judgement needed in the effort to avoid being captivated by the damned , are themselves objects of Dante's judgement and his involvement . In writing and rereading , he carries on the ...
... judgement suspended in an encounter , and the judgement needed in the effort to avoid being captivated by the damned , are themselves objects of Dante's judgement and his involvement . In writing and rereading , he carries on the ...
Page 200
... judgement ; in Byron , they suggest a form of sympathy that remains candid and resists the desire to ennoble feelings of sympathy into the recognition of virtue . Dante's descriptions reveal , therefore , perhaps against his will , a ...
... judgement ; in Byron , they suggest a form of sympathy that remains candid and resists the desire to ennoble feelings of sympathy into the recognition of virtue . Dante's descriptions reveal , therefore , perhaps against his will , a ...
Contents
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Copyright | |
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allegory appear argues attention Beatrice becomes Blake Blake's Blake's illustrations Boyd Byron Cambridge canto Cary Cary's translation circle Coleridge Coleridge's Commedia continues contrast creates Critical damned Dante Alighieri Dante and Virgil Dante's Dantean divine Divine Comedy Don Juan Earthly Paradise English Essays eternal exile eyes Fall of Hyperion Farinata feelings Flaxman's Friend Fuseli's gentleness Heaven Hell Henry Fuseli human Hunt's ibid imagination implies Inferno Italian John John Keats Juan's judgement Keats Keats's Leila light lines London McGann Milton narrator nature numbers Oxford Paolo and Francesca passage pause perception poem poet poetic poetry political Purgatorio reader reading reveals rhyme Rimini Rollins Romantic Rousseau S. T. Coleridge Sapegno Schlegel seems sense Shelley Shelley's sorrow soul stanza Story of Rimini sublime symbolic sympathy T. S. Eliot terza rima thought tion Toynbee Triumph truth Ugolino Virgil vision vols waking dream Warton William Blake Wordsworth writing