Art and Visual Perception: A Psychology of the Creative Eye |
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Page 132
... dancer is a suitable representation of a moving dancer , but in a film or on the stage a motionless dancer would not be in movement but paralyzed . Furthermore , the term " medium " refers not only to the physical properties of the ...
... dancer is a suitable representation of a moving dancer , but in a film or on the stage a motionless dancer would not be in movement but paralyzed . Furthermore , the term " medium " refers not only to the physical properties of the ...
Page 332
... dancer uses a mirror occasionally ; he also has at times a more or less vague visual image of his own performance , and of course as a member of a group or as a ... dancer's arm . Dancers and actors have to learn , in order to 332 MOVEMENT.
... dancer uses a mirror occasionally ; he also has at times a more or less vague visual image of his own performance , and of course as a member of a group or as a ... dancer's arm . Dancers and actors have to learn , in order to 332 MOVEMENT.
Page 363
... dancer , the sadness or happiness of the mood seems to be directly inherent in the movements themselves . Wertheimer concluded that this was true because formal factors of the dance reproduced identical factors of the mood . The meaning ...
... dancer , the sadness or happiness of the mood seems to be directly inherent in the movements themselves . Wertheimer concluded that this was true because formal factors of the dance reproduced identical factors of the mood . The meaning ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow