The complete works of William Shakspeare, with notes by the most emiinent commentators, pr. from the ed. of A. Chalmers, with illustr, Volume 1
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acted actor ancient appears bear Beat believe better Biron brother called character comes daughter death doth drama Duke edition Enter excellent Exeunt exhibited Exit eyes face fair father fear fool Ford give grace hand hast hath head hear heart heaven Henry hold honour hope I'll John keep kind King lady learning leave light live look lord MALONE manner marry master means mind mistress nature never night observed once passion performed perhaps person piece play poet praise pray present probably queen reason represented SCENE seems servant Shakspeare Shakspeare's sometimes speak spirit stage stand supposed sweet tell term theatre thee thing thou thought true woman writers written
Page 194 - God's When mercy seasons justice. Therefore, Jew, Though justice be thy plea consider this — That in the course of justice none of us Should see salvation : we do pray for mercy ; And that same prayer doth teach us all to render The deeds of mercy.
Page xi - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James!
Page clxxii - Have waked their sleepers; oped, and let them forth By my so potent art : But this rough magic I here abjure: and, when I have requir'd Some heavenly music, (which even now I do,) To work mine end upon their senses, that This airy charm is for, I'll break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I'll drown my book.
Page xvi - ... are now offer'd to your view cur'd and perfect of their limbes, and all the rest absolute in their numbers as he conceived them ; who, as he was a happie imitator of Nature, was a most gentle expresser of it. His mind and hand went together ; and what he thought, he uttered with that easinesse that wee have scarse received from him a blot in his papers.
Page xxx - Arcadia, confounded the pastoral with the feudal times, the days of innocence, quiet, and security, with those of turbulence, violence, and adventure. In his comic scenes he is seldom very successful, when he engages his characters in reciprocations of smartness and contests of sarcasm ; their jests are commonly gross, and their pleasantry licentious; neither his gentlemen nor his ladies have much delicacy, nor are sufficiently distinguished from his clowns by any appearance of refined manners. Whether...
Page xxix - ... just distribution of good or evil, nor is always careful to show in the virtuous a disapprobation of the wicked; he carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance.
Page 76 - We must not make a scare-crow of the law, ' Setting it up to fear the birds of prey, And let it keep one shape, till custom make it Their perch, and not their terror.
Page xxvii - Out of this chaos of mingled purposes and casualties, the ancient poets, according to the laws which custom had prescribed, selected some the crimes of men, and some their absurdities; some the momentous vicissitudes of life, and some the lighter occurrences ; some the terrors of distress, and some the gaieties of prosperity.
Page 302 - Yet nature is made better by no mean But nature makes that mean; so over that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature — change it rather; but The art itself is nature.
Page xxvi - Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest ; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.