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The Therapeutic Value of Indian
The Sound Within Without
Theatre of Social Healing
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activity actually aesthetic appear artists audience became become begin bhakti body brain bring called century characters child classical classical dance composed composition course create creative culture dance Delhi developed drama effect emotions example exercise experience expression fact feel felt function give given hand healing heart human important Indian individual interesting Khan Khyal kind known language leads listeners lives look Lord meaning mind move movements mudalapaya musicians nature notes participants performance person physical play playwright popular practice present produce ragas rhythm role Sangeet Natak Sankaradeva sarathi sense sessions singing social songs sound space Sri Aurobindo stage story style sung sutradhara theatre therapy Thoda tradition Tsunami Tsunamika turn various village voice whole women workshops