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don ordained the graceless neophyte, and Wolcot entered upon his sacred duties. His congregation consisted mostly of negroes, and Sunday being their principal holiday and market, the attendance at the church was very limited. Sometimes not a single person came, and Wolcot and his clerk-the latter being an excellent shot-used at such times, after waiting for ten minutes, to proceed to the sea-side, to enjoy the sport of shooting ring-tail pigeons !

The death of Sir William Trelawney cut off all further hopes of preferment, and every inducement to a longer residence in the island. Bidding adieu to Jamaica and the church, Wolcot accompanied Lady Trelawney to England, and established himself as a physician at Truro, in Cornwall. He inherited about £2000 by the death of his uncle. While resident at Truro, Wolcot discovered the talents of Opie

The Cornish boy in tin-mines bred

whose genius as an artist afterwards became so distinguished. He also materially assisted to form his taste and procure him patronage; and when Opie's name was well established, the poet and his protégé, forsaking the country, repaired to London, as affording a wider field for the exertions of both. Wolcot had already acquired some distinction by his satirical efforts; and he now poured forth a series of odes and epistles, commencing with the Royal Academicians, whom he ridiculed with great success and some justice. In 1785 he produced no less than twenty-three odes. In 1786 he published The Lousiad,' a 'Heroi-comic Poem,' in five cantos, which had its foundation in the fact, that an obnoxious insect-either of the garden or the body--had been discovered on the king's plate among some green peas, which produced a solemn decree that all the servants in the royal kitchen were to have their heads shaved. In the hands of an unscrupulous satirist like Wolcot, this ridiculous incident was an admirable theme. The publication of Boswell's Journal of a Tour to the Hebrides' afforded another tempting opportunity, and he indited a humorous poetical epistle to the biographer, commencing:

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O Boswell, Bozzy, Bruce, whate'er thy name,
Thou mighty shark for anecdote and fame;
Thou jackal, leading lion Johnson forth
To eat Macpherson 'midst his native north;
To frighten grave professors with his roar,
And shake the Hebrides from shore to shore,
All hail!

Triumphant thou through Time's vast gulf shalt sail,

The pilot of our literary whale;

Close to the classic Rambler shalt thou cling,

Close as a supple courtier to a king;

Fate shall not shake thee off with all its power;

Stuck like a bat to some old ivied tower.

Nay, though thy Johnson ne'er had blessed thine eyes,
Paoli's deeds had raised thee to the skies:

Yes, his broad wing had raised thee-no bad hack-
A tomtit twittering on an eagle's back,

In addition to this effusion, Wolcot ievelled another attack on Boswell, entitled 'Bozzy and Piozzi, or the British Biographers.' The personal habits of the king were ridiculed in ‘Peeps at St. James's, Royal Visits,' Lyric Odes,' &c. Sir Joseph Banks was another subject of his satire:

A president, in butterflies profound,

Of whom all insect-mongers sing the praises,
Went on a day to hunt this game renowned,

On violets, dunghills, nettle-tops, and daisies, &c.

He had also 'Instructions to a Celebrated Laureat;' 'Peter's Pension; 'Peter's Prophecy;' Epistle to a Fallen Minister;' Epistle to James Bruce, Esq., the Abyssian Traveller;' Odes to Mr. Paine;' Odes to Kien Long, Emperor of China;' 'Ode to the Livery of London,' and brochures of a kindred description on most of the celebrated events of the day. From 1778 to 1808, above sixty of these poetical pamphlets were issued by Wolcot. So formidable was he considered, that the ministry, as he alleged, endeavoured to bribe him to silence. He also boasted that his writings had been translated into six differ ent languages. In 1795, he obtained from his booksellers an annuity of £250, payable half-yearly, for the copyright of his works. This handsome allowance he enjoyed, to the heavy loss of the other parties, for upwards of twenty years. Neither old age nor blindness could repress his witty vituperative attacks. He had recourse to an amanuensis, in whose absence, however, he continued to write himself, till within a short period of his death. His method was to tear a sheet of paper into quarters, on each of which he wrote a stanza of four or six lines, according to the nature of the poem: the paper he placed on a book held in the left hand, and in this manner not only wrote legibly, but with great ease and celerity.'

In 1796, his poetical effusions were collected and published in four volumes 8vo, and subsequent editions have been issued; but most of the poems have sunk into oblivion. Few satirists can reckon on permanent popularity, and the poems of Wolcot were in their nature of an ephemeral description; while the recklessness of his censure and ridicule, and the want of decency, of principle, and moral feeling, that characterises nearly the whole, precipitated their downfall. He died at his house in Somers' Town on the 14th January, 1819, and was buried in a vault in the churchyard of St. Paul's, Covent Garden, close to the grave of Butler. Wolcot was equal to Churchill as a satirist, as ready and versatile in his powers, and possessed of a quick sense of the ludicrous, as well as a rich vein of fancy and humour. Some of his songs and serious effusions are tender and pleasing; but he could not write long without sliding into the ludicrous and burlesque. His critical acuteness is evinced in his Odes to the Royal Academicians,' and in various passages scattered throughout his works; while his ease and felicity, both of expression and illus

tration, are remarkable. In the following terse and lively lines, we have a good caricature sketch of Dr. Johnson's style:/

I own I like not Johnson's turgid style,

That gives an inch the importance of a mile,
Casts of manure a wagon-load around,
To raise a simple daisy from the ground;
Uplifts the club of Hercules-for what?
To crush a butterfly or brain a gnat?

Creates a whirlwind from the earth, to draw

A goose's feather or exált a straw;

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Sets wheels on wheels in motion-such a clatter-
To force up one poor nipperkin of water;
Bids ocean labour with tremendous roar,
To heave a cockle-shell upon the shore;
Alike in every theme his pompous art,
Heaven's awful thunder or a rumbling cart!"

The Pilgrims and the Peas.

A brace of sinners, for no good,

Were ordered to the Virgin Mary's shrine,

Who at Loretto dwelt in wax, stone, wood,"

And in a curled white wig looked wondrous fine.

Fifty long miles had these sad rogues to travel,

With something in their shoes much worse than gravel;

In short, their toes so gentle to amuse,

The priest had ordered peas into their shoes.

A nostrum famous in old popish times

For purifying souls that stunk with crimes,

A sort of apostolic salt,

That popish parsons for its powers exalt,
For keeping souls of sinners sweet,

Just as our kitchen salt keeps meat.

The knaves set off on the same day,
Peas in their shoes, to go and pray;

But very different was their speed, I wot⚫
One of the sinners galloped on,

Light as a bullet from a gun;

The other limped as if he had been shot.
One saw the virgin, soon peccavi cried;
Had, his soul whitewashed all so clever,

When home again he nimbly hied,

Made fit with saints above to live forever.

In coming back, however, let me say,

He met his brother rogue about half-way,

Hobbling with outstretched hams and bending knees,
Cursing the souls and bodies of the peas;

His eyes in tears, his cheeks and brow in sweat,

Deep sympathizing with his groaning feet.

'How now!' the light-toed whitewashed pilgrim broke,
'You lazy lubber!'

'Confound it!' cried the t' other, 'tis no joke

My feet, once hard as any rock,

Are now as soft as blubber.

Excuse me, Virgin Mary, that I swear:
As for Loretto, I shall not get there;
No! to the Devil my sinful soul must go,
For hang me if I ha'n't lost every toe!

'But brother sinner, do explain How 'tis that you are not in pain

What power hath worked a wonder for your toes-
Whilst I, just like a snail, am crawling,

Now swearing, now on saints devoutly bawling,
Whilst not a rascal comes to ease my woes?

'How is 't that you can like a greyhound go,
Merry as if nought had happened, burn ye?'
"Why,' cried the other, grinning, you must know
That just before I ventured on my journey,
To walk a little more at ease,

I took the liberty to boil my peas.'

The Apple Dumplings and a King.

Once on a time, a monarch, tired with whooping,
Whipping and spurring,

Happy in worrying

A poor defenceless harmless buck

The horse and rider wet as muck

From his high consequence and wisdom stooping,
Entered through curiosity a cot,

Where sat a poor old woman and her pot.

The wrinkled, blear-eyed good old granny,
In this same cot, illumed by many a cranny,
Had finished apple dumplings for her pot:
In tempting row the naked dumplings lay,
When lo! the monarch, in his usual way,

Like lightning spoke: 'What's this? what's this? who,?

Then taking up a dumpling in his hand,

His eyes with admiration did expand;

And oft did majesty the dumpling grapple: he cried

"Tis monstrous, monstrous hard, indeed!

What makes it, pray. so hard?' The dame replied,
Low curtsying Please your majesty, the apple.'

Very astonishing indeed! strange thing!'-
Turning the dumpling round-rejoined the king
"Tis most extr ordinary, then, all this is→
It beats Pinette's conjuring all to pieces:
Strange I should never of a dumpling dream!..
But, goody, tell me where, where, where's the seam ?'

'Sir, there's no seam,' quoth she; 'I never knew
That folks did apple dumplings sew;'

"No!' cried the staring monarch with a grin;
'How, how the devil got the apple in?'

On which the dame the curious scheme revealed
By which the apple lay so sly concealed,

Which made the Solomon of Britain start;
Who to the palace with full speed repaired,
And queen and princesses so beauteous scared
All with the wonders of the dumpling art.

There did he labour one whole week to shew
The wisdom of an apple-dumpling maker;
And, lo! so deep was majesty in dough,
The palace seemed the lodging of a baker!

Whitbread's Brewery visited by their Majesties.

Full of the art of brewing beer,

The monarch heard of Whitbread's fame;
Quoth he unto the queen: 'My dear, my dear,
Whitbread hath got a marvellous great name.
Charly, we must, must, must see Whitbread brew-
Rich as us, Charly, richer than a Jew.

Shame, shame we have not yet his brew-house seen!
Thus sweetly said the king unto the queen.

Muse, sing the stir that happy Whitbread made:
Poor gentleman! most terribly afraid

He should not charm enough his guests divine,
He gave his maids new aprons, gowns, and smocks;
And lo! two hundred pounds were spent in frocks,
To make the apprentices and draymen fine:
Busy as horses in a field of clover,

Dogs, cats, and chairs, and stools were tumbled over, Amidst the Whitbread rout of preparation,

To treat the lofty ruler of the nation.

Now moved king, queen, and princesses so grand,
To visit the first brewer in the land;

Who sometimes swills his beer and grinds his meat
In a snug corner, christened Chiswell Street;
But oftener, charmed with fashionable air,
Amidst the gaudy great of Portman Square.

Lord Aylesbury, and Denbigh's lord also,

His Grace the Duke of Montague likewise,
With Lady Harcourt, joined the raree show

And fixed all Smithfield's wond'ring eyes:
For lo a greater show ne'er graced those quarters,
Since Mary roasted, just like crabs, the martyrs. .

Thus was the brew-house filled with gabbling noise,
Whilst draymen, and the brewer's boys,

Devoured the questions that the king did ask;
In different parties were they staring seen,
Wond'ring to think they saw a king and queen!
Behind a tub were some, and some behind a cask.

Some draymen forced themselves-a pretty luncheon-
Into the mouth of many a gaping puncheon:

And through the bung-hole winked with curious eye, To view and be assured what sort of things

Were princesses, and queens, and kings,

For whose most lofty station thousands sigh!

And lo! of all the gaping puncheon clan,

Few were the mouths that had not got a man!

Now majesty into a pump so deep
Did with an opera-glass so curious peep:
Examining with care each wondrous matter
That brought up water!

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