Greek Literature, classification of, 21-| Henry V., 222.
Hack work, bad effect of, 168, 169.
HALIFAX, 62.
HALLAM, 83.
Hallowe'en, 288.
HAMILTON, 163.
Hamlet, popularity with actors, 223-
225, ruined by acting, 224, vul-
garized by actors, 226-228; 97, 221,
236, 276, 349.
Hamlet, xvii, 222.
HAMPDEN, 6.
Handbook of Poetics, 346, 357.
HANNIBAL, 322.
Hans Pfaall, 139, 155, 156.
Happy Life of a Parish Priest, 39.
Harbours of England, 213, 215.
HARLEY, 1, 63.
Harper's Magazine, 177.
HARRINGTON, 190.
HARRISON, on Ruskin as a Master of
Prose, 202-219 (see Ruskin); notes
on, 345-348; quoted, 348; xvii, xx,
357.
Haunted Palace, 145, 146.
Henry Wadsworth Longfellow, 338, 356.
Herder, 17, 18.
Heretics, xiii, 350, 356.
d'HÉRICAULT, quoted, 272.
HERODOTUS, 22, 313.
Heroic Plays, 345.
HERSCHEL, 155.
HESIOD, 23.
HILL, 228.
Historic estimate, 271-275.
Historico-Critical Inquiry into the
Origin of the Rosicrucians and
Freemasons, 17.
History of Criticism, xii, 350, 358.
History of the Eighteenth Century, 10.
HOBBES, 27, 182, 185.
HODGSON, 31.
Holkerstein, 36.
HOLMES, XXXỈ, 141.
Holy Fair, 288.
HOMER, compared with Virgil, 185-
187; quoted, 275, 276; 23, 189, 215,
276, 285, 314, 315, 316, 320, 326, 333,
345.
Homer and the Homerida, 17.
HOOD, 167.
Hop Frog, 177.
HORACE, quoted, 184, 196; 61, 145,
162, 164, 187, 189, 190, 191, 200,
321, 333, 345.
Horatio, 276.
HORNE, 168.
Hours in a Library, 338, 343, 358.
House Beautiful, 123.
HOWARD, II, 12.
HAWTHORNE, xviii, 136, 158, 167, 169, HOWELLS, quoted, x; xi, xx, 154, 351,
HENNEQUIN, xvi, 159, 168, 170, 179, Idea of a Universal History on a Cos-
HENRY IV., 191.
Henry IV., 276.
Idol of the Theatre, 163.
fancy, 111; with reason, 307.
Imitation, quoted, 274.
JOHN OF GAUNT, 191.
John Paul Frederick Richter, 25.
JOHNSON, ESTHER, 12 (see Stella).
JOHNSON, SAMUEL, on The Metaphysi-
cal Poets, 45-59: characterization of
the genre, 45-48, illustrated, 48-59;
Notes on, 339-340;
Quoted, 339, 340;
vi, xvi, xxiii, xxv, 19, 20, 31, 62,
137, 281, 284, 345, 350, 357.
Jolly Beggars, 291.
JONSON, Xxvii, 48, 226, 345.
JOSEPHUS, 24.
Journal of Julius Rodman, 160.
JUDAS, 24.
Judas Iscariot, 17, 23, 24.
Judicial Criticism, xix-xx.
Juggernaut of Social Life, 25.
JULIAN, 23.
Juliet, 223, 228, 349.
Julius Cæsar, 19.
JUVENAL, 200.
KAMES, xix.
KANT, 24, 25, 26, 175.
Kant in his Miscellaneous Essays, 24.
KEATS, ix, xxviii, xxxii, 114, 138, 144,
216, 281, 282.
KEMBLE, 221, 230.
KENDAL, 6, 10
KER, 344, 345, 357.
King Arthur, 200.
King Lear, 317.
King of Hayti, 35.
JAMES, HENRY, on The Art of Fiction,
237-256: Besant's view of the novel,
137, 138, definition of the novel,
242-243, fiction essentially serious,
238-240, a fine art, 240-241, futility|
of "laws" and distinctions, 243-249,
lack of theory in English fiction, 237-
238, morality in fiction, 254-255,
need for freedom, 242, 256, popular
view of fiction, 241, purpose in fic-
tion, 255, "romance" and "novel," | Klosterheim, summarized, 36-38; 338.
248-249, the "story," 251-254, KNIGHT, 113.
ultimate test of, 249-251, vulgariza- | Knowledge, quoted, 48.
tion of fiction, 242;
Notes on, 350-351;
La Belle Heaulmière, 283.
La Critique Scientifique, xvi, 357.
136, 141, 144, 146, 153, 154, 166, Lady Geraldine's Courtship, 142.
167, 357.
JAMES, WILLIAM, xii, 357.
JEFFREY, Xix, xx, xxvii, 31, 340, 343, LAGRANGE, 175.
Life in Poetry, Law in Taste, xiv, 356.
Life of De Quincey, 16, 357.
Life of Poe: Gill's, 131; Ingram's,
130, 131, 138, 143, 146, 175; Stod-
dard's, 131, 149, 165.
Life of Sheridan, 101.
Life of Swift, 1; also, for various lives,
338, 356, 358.
Life of William Morris, xi, 357.
Life of William Shakespeare, xvi, 344, 357.
Ligeia, 139, 159.
Literary classification (see Literary
Criticism, and Literature).
Literary criticism (see also Criticism,
Fiction, Poetry, etc.); accord with
common taste, xxiv; as affected by
temperament, xii, xiii, xiv, aim of,
xv, analysis of, xxvi, xxvii, appeal of,
183, authors quoted on, ix-xi,
classes of, xv-xviii, commercial,
66-67, common method of, 132,
comparative poverty of English, 169-
170, conflict between liberty and
authority, xiv, conventional types of,
xxii, corroborative effort of, xxiv,
cult-idea, xxiv, defined, xv,
xxvi, defined by form, xxi, as
demonstration, xiv, different points
of view, xiii, different types of, 168–
170, discrepancies in, ix, xi, ele-
ments of, xviii, as essay writing, 169,
essential lack of precision in, xv,
excellence of French, 169-170,
examples of student, xxviii-xxix, as
existential fact, xii, as expression of
personal opinion, xi-xii, fallacies
in, - the confusion of types, 160, of
depreciation, 153-154, of "heart and
head," 160, of local dislike, 141, of
argument from mental weakness,
137-139, of published sentiment,
135, of "seriousness," 154, - as a
fine art, 166, as form, xiv, as a form
of discourse, xxii, impossibility of
final judgments, xii, influence of,
63-67, kinds of proof in, xxiii, law
in, xiv, methods of, 63-67, need of
biographical facts in, 127-139, of a
general survey of the facts, 140-141,
of periodical rejudgments, 126, occa-
sion of, xxii, as a process, xiv, pro- |
gram for writing, xxxi-xxxiii, proof of
opinion, xxii-xxvi, provincialism in,
166, reading of, xxvi-xxvii, reason-
ing in, 167, 169, relation to narra-
tion, exposition, description, and
argumentation, xxii, to rhetoric, xxi,
xxii, sanction of opinion in popular
acceptance, xxiv, as science, 169,
scientific checks on opinion, xxv-
xxvi, special issues in, 337-355
(passim), student, xxviii, xxix, as
taste, xxiv, types of, xviii-xxi, |
typical faults of student, xxix-xxxi,
vagueness in terminology, xiii, vari-
ous masters of, xxvii, various opin-
ions of, ix, x, xi, variousness of
demonstration in, xxiii, the writing
of, xxviii-xxxiii.
Literary interpretation, xvii-xviii.
Literary Messenger, 177.
Literary opinion, growth of, 65-66.
Literary Reminiscences, 343, 356.
Literary Studies, xxxi, 80, 343, 356.
Literature, classification of, 32-33, 338,
341, inadequacy of definitions of, xv;
its permanence, 329, its transitoriness,
66, 67.
Lives of the Poets, 45, 340, 357-
LIVY, 313, 321.
Loci Critici, vi, 358.
LOCKE, JOHN, 329.
LOCKE, R. A., 155.
Logic of Political Economy, 25, 30.
London Magazine, 39.
LONGFELLOW, translation quoted, 72;
146, 147, 167.
LONGINUS, xii, 186.
Longmans' Magazine, 237.
Lord Carlisle on Pope, 25, 31.
Lord of the Isles, quoted, 69.
LOUNSBURY, Xxvi, 345, 350, 357.
Love stories, nature of, 100-101.
Lover neither Dead nor Alive, 55.
Lover's Heart a Hand Grenado, 55.
LOWELL, vi, xvii, xxvii, xxxi, 159, 160,
165, 166, 167, 175, 178, 343, 357;
The Writings of, 357;
Prose Works, xvii, 343.
LUCAN, 189, 316, 326.
MENANDER, 23.
Merchant, the, 193.
Metamorphoses, 181.
Metaphysical poetry, characteristics,
45-48; illustrated, 48-59.
Metaphysical Poets, 45-59.
Micawber, 244.
Michael, 118.
MICHAEL ANGELO, 33, 231, 329.
MILBOURN, 195, 199, 201, 344.
MILL, xxvii, xxviii, 31, 124, 176, 354.
Miller, the, 193.
Millwood, 226.
MILTON, quoted, 223, 235, 277, 285,
333; xxiv, xxxi, 29, 48, 137, 182, 207,
209, 210, 221, 274, 281, 283, 284, 285,
306, 313, 319, 325, 326, 329.
MONTGOMERY, Criticism by Macaulay:
his absurdity, 70, anachronisms, 72,
artificiality, 73, bad anatomy, 72,
bad characterization, 77-78, bad
English, 74, 75, 76, bad logic, 74,
bad observation, 72, bad syntax,
69, 71, clumsiness, 69-70, flat-
ness, 68, 69, faults illustrated by
the Omnipresence of the Deity, 68-
77, by Satan, 77-78, an illustration
of what can be done by puffing, 67-68,
looseness of structure, 71, 72, 77,
obscurity, 73, 74, plagiarism, 68,
69, profanity, 71, redundancy, 72,
silly metaphysics, 74; quoted, 68–76,
78; xx, 340, 350.
Moon Hoax, 155, 158.
Moon Story, 155.
MOORE, GEORGE, 152.
MOORE, THOMAS, 62, 168.
Moral criticism of literature, xviii.
Morality in characterization, Bagehot
on, 95-99.
Morality in fiction, 254-256.
Morality in literature, 184.
Morality in poetry, 301-302, 315-316.
MORE, SIR T., quoted, 77.
Morella, 139.
Milton vs. Southey and Landor, 25, 31. MORLEY, xxvii, 115, 124, 341, 343, 357.
MINTO, quoted, 179; 144, 157.
Miracles as Subjects of Testimony, 25, 27. Morning Post, 77.
Miscellanies, ix, 342, 343, 352, 357, 358.
Mr. Robert Montgomery's Poems, 60-
79 (see Montgomery).
Modern American Oratory, xxii, 358.
Modern English Prose, xxxi, 356.
Modern Greece, 17, 19.
Modern Humanists, xxi, 340, 352, 358.
Modern Painters, xxii, 208, 211, 212,
215, 218, 342, 358.
Modern Superstition, 17.
Modest Proposal for Preventing the
Children of Poor People in Ireland
from being a Burden to their Parents
or Country, 13-14.
MOLIÈRE, 168.
Monk, the, 191.
MONTAIGNE, 188.
MONTESQUIEU, 132.
MORRIS, quoted, xi.
MOSES, 322.
MOTT, 138.
Mould, Mr., 91.
MOZART, 150.
Mucklewrath, 1.
Murder considered as One of the Fine
Arts, 33, 34.
Murders in the Rue Morgue, 139, 156,
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