THE COMРАСТ, A DARK German legend survives to this day, Which relates to a Göttingen student, My hero was anxious his rivals should see Then round his respected mahogany met Of course the disputing and noise was immense, Then the music began, and the guests open'd fire, With fugues, and sonatas, and such-like; Which are things that we Englishmen don't much admire. Though they're just what the Germans and Dutch like. Our hero stepp'd forth, and his countenance shone With that mixture of stern resolution And graceful reserve that a martyr puts on, He turn'd back his cuffs and he put back his hair, Sat down and perform'd an original air, With a dozen superb variations. When he fancied his audience was growing more warm, And the interest rapidly height'ning, He treated the room to an improvised storm, Of course such a state of affairs could not last, He finish'd his piece and look'd modestly round, Imagine his utter disgust when he found He summon'd his tempter in fury, they say, In selling him powers that were quite thrown away, "Well, I own," said the Fiend, “they are not well-behaved But you 're certainly one of the flat sort If you fancy that Christians who hope to be saved Would be partial to music of that sort!” THE VISION OF THE ALDERMAN. AN Alderman sat at his festive board, Quaffing the blood-red wine, And many a Bacchanal stave outpour'd Turtle and salmon and Strasbourg pie, And the bibulous Alderman wink'd his eye, For the sherris was old and rare. But a cloud came over his gaze eftsoons, He bow'd his head on the festive board, By the gaslight's dazzling gleam: He bow'd his head and he slept and snored, And he dream'd a fearful dream. M |