A Popular Manual of English Literature: Containing Outlines of the Literature of France, Germany, Italy, Spain, and the United States of America |
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Addison admiration affection appeared Bacon beauty became called celebrated century character Charles Chaucer Church classical continued court criticism death drama Dryden England English Essay famous feeling France French genius German give greatest Hamlet hand Hell Henry human influence interest Italian Italy James John kind King known Lady language learned less letters lines literary literature lived London look Lord Lost manner means Milton mind moral nature never original Paradise perhaps period person Philip philosophy play poem poet poetical poetry political Pope portrait present produced prose Puritan Queen religious represented satire says seems Shakespeare Spenser spirit style Swift taste things Thomas thought tion translation universal verse whole writings written wrote
Popular passages
Page 155 - Sweet Swan of Avon ! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James...
Page 252 - THREE Poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpassed; The next in majesty •, In both the last. The force of Nature could no further go ; To make a third, she joined the former two.
Page 155 - Muses : For if I thought my judgment were of years, I should commit thee surely with thy peers, And tell how far thou didst our Lyly outshine. Or sporting Kyd, or Marlowe's mighty line.
Page 343 - ALL human things are subject to decay, And, when Fate summons, monarchs must obey. This Flecknoe found, who, like Augustus, young Was called to empire, and had governed long. In prose and verse was owned, without dispute, Through all the realms of Nonsense absolute.
Page 158 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 445 - And that there is all nature cries aloud Through all her works, he must delight in virtue ; And that which he delights in must be happy. But when, or where ? This world was made for Caesar.
Page 453 - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Page 155 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Page 199 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul, All the images of Nature were still present to him, and he drew them, not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too.
Page 151 - Jesus' sake forbeare To dig the dust enclosed here. Blessed be he that spares these stones, And curst be he that moves my bones.