A Popular Manual of English Literature: Containing Outlines of the Literature of France, Germany, Italy, Spain, and the United States of America, Volume 1 |
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Page 11
... drama , cultivated peo- ton's " Harold , Saxon Kings , ' " Harold . " ] Introduction of feudalism by DEVELOPMENT OF THE ENGLISH LANGUAGE . The Norman Conquest formed a crisis in the career of the English nation . By it a new ele- ment ...
... drama , cultivated peo- ton's " Harold , Saxon Kings , ' " Harold . " ] Introduction of feudalism by DEVELOPMENT OF THE ENGLISH LANGUAGE . The Norman Conquest formed a crisis in the career of the English nation . By it a new ele- ment ...
Page 16
... drama , " Wil- helm Tell . " ] Epic , Lyric , and Didactic Poetry of the Minnesän- ger . " Augustan Age of Old German Literature . " - The Crusades did away with the ecclesiastical ele- ment in German poetry . Religious zeal among the ...
... drama , " Wil- helm Tell . " ] Epic , Lyric , and Didactic Poetry of the Minnesän- ger . " Augustan Age of Old German Literature . " - The Crusades did away with the ecclesiastical ele- ment in German poetry . Religious zeal among the ...
Page 54
... dramatic versatility , and the universal- ity of his sympathy . His tales cover the whole field of mediæval poetry ; the legend of the priest , the knightly romance , the wonder - tale of the traveller , the broad humor of the fabliau ...
... dramatic versatility , and the universal- ity of his sympathy . His tales cover the whole field of mediæval poetry ; the legend of the priest , the knightly romance , the wonder - tale of the traveller , the broad humor of the fabliau ...
Page 68
... Dramatic Power . The scheme of " The Canterbury Tales " possesses some genuinely dramatic elements . If the entire form , at all events in its extant condition , can scarcely be said to have a plot , it at least has an exposition ...
... Dramatic Power . The scheme of " The Canterbury Tales " possesses some genuinely dramatic elements . If the entire form , at all events in its extant condition , can scarcely be said to have a plot , it at least has an exposition ...
Page 79
... . DEVELOPMENT OF ENGLISH PROSE STYLE BY SIR THOMAS MORE AND JOHN TYNDALE . INTRODUCTION OF ITALIAN INFLUENCE BY WYATT AND SURREY . DAWN OF THE ENGLISH DRAMA . CHARACTERISTICS OF THE DARK AGE , WITH HISTORICAL , SCIENTIFIC.
... . DEVELOPMENT OF ENGLISH PROSE STYLE BY SIR THOMAS MORE AND JOHN TYNDALE . INTRODUCTION OF ITALIAN INFLUENCE BY WYATT AND SURREY . DAWN OF THE ENGLISH DRAMA . CHARACTERISTICS OF THE DARK AGE , WITH HISTORICAL , SCIENTIFIC.
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Common terms and phrases
Addison admiration ALEXANDER POPE allegory appeared Bacon beauty Ben Jonson Boccaccio Canterbury Canterbury Tales celebrated century Chaos character Charles Chaucer Church classical court criticism Dante death drama Dryden EDMUND SPENSER Elizabeth England English literature epic Essay Faerie Queene famous France French genius German Hamlet Hell Henry human Iliad Italian Italy James John JOHN DRYDEN John Milton Johnson Jonathan Swift JOSEPH ADDISON King Knight Lady language Latin learned lish literary London Lord Louis ment Milton mind Molière moral nature never noble Paradise Lost Paradise Regained passion Petrarch Philip philosophy play poem poet poet's poetical poetry political Pope Pope's portrait prose Puritan reign religious Richard Satan satire says Shakespeare Sir Walter Sonnets Spanish Spenser spirit style Swift TAINE Tale taste theatre Thomas thought tion tragedy translation verse Voltaire William writings written
Popular passages
Page 159 - Sweet Swan of Avon ! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James...
Page 255 - THREE Poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpassed; The next in majesty •, In both the last. The force of Nature could no further go ; To make a third, she joined the former two.
Page 159 - Muses : For if I thought my judgment were of years, I should commit thee surely with thy peers, And tell how far thou didst our Lyly outshine. Or sporting Kyd, or Marlowe's mighty line.
Page 347 - ALL human things are subject to decay, And, when Fate summons, monarchs must obey. This Flecknoe found, who, like Augustus, young Was called to empire, and had governed long. In prose and verse was owned, without dispute, Through all the realms of Nonsense absolute.
Page 162 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 449 - And that there is all nature cries aloud Through all her works, he must delight in virtue ; And that which he delights in must be happy. But when, or where ? This world was made for Caesar.
Page 457 - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Page 159 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Page 203 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul, All the images of Nature were still present to him, and he drew them, not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too.
Page 152 - Jesus' sake forbeare To dig the dust enclosed here. Blessed be he that spares these stones, And curst be he that moves my bones.