Of Harmony and Numbers, in Latin and English Prose, and in English Poetry

acute agreeable almighty Anapaft Ancients anſwer Arfis and Thefis Ariftotle Bacchic becauſe beft begins and ends begins with half bers beſt Cæfar Cafar Choriambic Cicero Claufe Clauſe Conclufion confifts Cretic Dactyl Diapafon Diapente Diatonic Scale Dichoree Divifion due Difpofition end in half English Ephorus equal fame fecond feven fhort Syllables firft firſt Flow four and four fourth ftands fuch full Foot full Tones half a Foot half a Tone half Foot half Tone Harmony Heav'n himſelf Iambic infinite Flow Ionic Jefus laft leaft lefs Ligarius long Syllable looſe majeſtic Meaſure Member begins Metre moft Moloffus moſt mufical Concords muft muſical muſt obferves Orator Paffage Palimbacchic Paon Peon Poetry pofition Profe Compofitions Proportion Quintilian read this Verfe Reaſon ſhort Spondee Stop Syftem thefe Feet thefe Numbers theſe thou three and five three half Feet Tierce Minor Trochee Tubero uſed Verfe is divided Verſe whofe Words wou'd СНАР