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To Kathak Anew
Bhagavathi Paattu of the Mannaans
Conversations with Pandit Amarnath
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actor aesthetic attitude Ajrara Ameer Khan archival music art form artists audiences Avataram baaj Baburao Bade Ghulam Banaras Bhima Bhimsenji Bindu bols Boodhi-lila Braj century cinema classical music composition concert contemporary cultural dance Delhi Dhrupad disciple drama drums experience film Ganesa Iyer gayaki genre guru Guruvayur Hindi Hindustani music Hirabai Hussain instruments IPTA Jokumaraswami Kambar Kathak Kathakali Kathaprasangam Kerala Khan's Khansaheb Khayal Kirana Kirana gharana Krishna Krishnanattam Kutiyattam laya lila listening Lucknow Lucknow gharana Maharaj Malayalam Manavedan melodic movement musicians musicianship Narayanabhatta notes Pakhawaj Panditji patronage performance play playwrights popular Prakashan present Punjab gharana raga Raman Pillai rasa rasikas Raslila Ravana realism recording rhythm ritual role Sangeet Natak Akademi Sangeet Natak Vol sargam scene singer Singh singing sloka social songs stage story style Sureshbabu swaras Swargarohanam tabla tala teacher teaching temple theatre Thumri tion tradition urban Ustad village vocal music voice words XXXIX Yaman Zamorin