Clifton, sweet village! now demands the lay,
The lov'd retreat of all the rich and gay;
The darling spot which pining maidens seek,
To give health's roses to the pallid cheek.
Warm from its fount the holy water pours,
And lures the sick to Clifton's neighbouring bowers.
Let bright Hygeia her glad reign resume,
And o'er each sickly form renew her bloom.
Me, whom no fell disease this hour compels
To visit Bristol's celebrated wells,
Far other motives prompt my eager view;
My heart can here its fav'rite bent pursue;
Here can I gaze, and pause, and muse between,
And draw some moral truth from ev'ry scene.
Yon dusky rocks, that, from the stream arise
In rude rough grandeur, threat the distant skies,
Seem as if nature in a painful throe,
With dire convulsions, lab'ring to and fro,
(To give the boiling waves a ready vent)
At one dread stroke the solid mountain rent;
The huge cleft rocks transmit to distant fame,
The sacred gilding of a good saint's name.
Now round the varied scene attention turns
Her ready eye-my soul with ardour burns;
* From a copy in Chatterton's hand-writing in the British Museum.
For on that spot my glowing fancy dwells,
Where Cenotaph its mournful story tells-
How Britain's heroes, true to honour's laws,
Fell, bravely fighting in their country's cause.
But though in distant fields your limbs are laid,
In fame's long list your glories ne'er will fade;
But blooming still beyond the gripe of death,
Fear not the blast of time's inclouding breath.
Your generous leader rais'd this stone to say,
You follow'd still where honour led the way:
And by this tribute, which his pity pays,
Twines his own virtues with his soldiers' praise.
Now Brandon's cliffs my wand'ring gazes meet,
Whose craggy surface mocks the ling'ring feet;
Queen Bess's gift, (so ancient legends say)
To Bristol's fair; where to the sun's warm ray
On the rough bush the linen white they spread,
Or deck with russet leaves the mossy bed.
Here as I musing take my pensive stand,
Whilst evening shadows lengthen o'er the land,
O'er the wide landscape cast the circling eye,
How ardent mem'ry prompts the fervid sigh;
O'er the historic page my fancy runs,
Of Britain's fortunes-of her valiant sons.
Yon castle, erst of Saxon standards proud,
Its neighbouring meadows dyed with Danish blood.
Then of its later fate a view I take:
Here the sad monarch lost his hope's last stake;
When Rupert bold, of well achieved renown,
Stain'd all the fame his former prowess won.
But for its ancient use no more employ'd,
Its walls all moulder'd and its gates destroy'd;
In history's roll it still a shade retains,
Though of the fortress scarce a stone remains.
Eager at length I strain each aching limb,
And breathless now the mountain's summit climb.
Here does attention her fixed gaze renew,
And of the city takes a nearer view.
The yellow Avon, creeping at my side,
In sullen billows rolls a muddy tide;
No sportive Naiads on her streams are seen,
No cheerful pastimes deck the gloomy scene;
Fixed in a stupor by the cheerless plain,
For fairy flights the fancy toils in vain :
For though her waves, by commerce richly blest,
Roll to her shores the treasures of the west,
Though her broad banks trade's busy aspect wears,
She seems unconscious of the wealth she bears.
Near to her banks, and under Brandon's hill,
There wanders Jacob's ever murm'ring rill,
That pouring forth a never-failing stream,
To the dim eye restores the steady beam.
Here too (alas! though tott'ring now with age)
Stands our deserted, solitary stage,
Where oft our Powell, Nature's genuine son,
With tragic tones the fix'd attention won :
Fierce from his lips his angry accents fly,
Fierce as the blast that tears the northern sky;
Like snows that trickle down hot Ætna's steep,
His passion melts the soul, and makes us weep:
But oh! how soft his tender accents move-
Soft as the cooings of the turtle's love—
Soft as the breath of morn in bloom of spring,
Dropping a lucid tear on zephyr's wing:
O'er Shakespeare's varied scenes he wandered wide,
In Macbeth's form all human pow'r defied;
In shapeless Richard's dark and fierce disguise,
In dreams he saw the murdered train arise;
Then what convulsions shook his trembling breast,
And strew'd with pointed thorns his bed of rest!
But fate has snatch'd thee-early was thy doom,
How soon enclosed within the silent tomb!
No more our raptur'd eyes shall meet thy form,
No more thy melting tones our bosoms warm.
Without thy pow'rful aid, the languid stage
No more can please at once and mend the age.
Yes, thou art gone! and thy beloved remains
Yon sacred old cathedral wall contains ;
There does the muffled bell our grief reveal,
And solemn organs swell tne mournful peal;
Whilst hallow'd dirges fill the holy shrine,
Deserved tribute to such worth as thine.
No more at Clifton's
's scenes my strains o'erflow,
For the Muse, drooping at this tale of woe,
Slackens the strings of her enamour'd lyre,
The flood of gushing grief puts out her fire:
Else would she sing the deeds of other times,
Of saints and heroes sung in monkish rhymes;
Else would her soaring fancy burn to stray,
And through the cloister'd aisle would take her way,
Where sleep, (ah! mingling with the common dust)
The sacred bodies of the brave and just.
But vain the attempt to scan that holy lore,
These soft'ning sighs forbid the Muse to soar.
So treading back the steps I just now trod,
Mournful and sad I seek my lone abode.
BY A BOOKSELLER'S JOURNEYMAN.
VERSED by experience in the subtle art,
The myst'ries of a title I impart :
Teach the young author how to please the town,
And make the heavy drug of rhyme go down.
Since Curl, immortal never-dying name!
A double pica in the book of fame,
By various arts did various dunces prop,
And tickled every fancy to his shop:
Who can, like Pottinger, ensure a book?
Who judges with the solid taste of Cooke?
*Copied from a MS. of Chatterton.
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