Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 47
Teresa and Alvar listened to this inner guidance , while Ordonio was trying to “ repell it with scorn . ” Therefore , in Ordonio's case , Conscience reappears in the form of self - destructive remorse , in the " guilty hopes and selfish ...
Teresa and Alvar listened to this inner guidance , while Ordonio was trying to “ repell it with scorn . ” Therefore , in Ordonio's case , Conscience reappears in the form of self - destructive remorse , in the " guilty hopes and selfish ...
Page 51
pretense of “ honour [ ing ] God ” while " rejecting Christ , " 3 a situation that reinforces the contrast between Alvar's true faith and that of Father Monviedro , the Inquisitor . On the more universal level , Alvar acts out the ...
pretense of “ honour [ ing ] God ” while " rejecting Christ , " 3 a situation that reinforces the contrast between Alvar's true faith and that of Father Monviedro , the Inquisitor . On the more universal level , Alvar acts out the ...
Page 52
Alvar discovers that Teresa is innocent of crime . Still , he resolves to leave her , assuming her to be married to Ordonio , and hence not innocent sexually . At this point Ordonio's guilt is as clear to Alvar as it is to the audience ...
Alvar discovers that Teresa is innocent of crime . Still , he resolves to leave her , assuming her to be married to Ordonio , and hence not innocent sexually . At this point Ordonio's guilt is as clear to Alvar as it is to the audience ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's