Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 64
Consequently to these changes in ideology , in Remorse the wicked Inquisitor represents only the abuses of Catholicism , and not the structure of Organized Religion in general . Most likely this shift also explains why the “ The Foster ...
Consequently to these changes in ideology , in Remorse the wicked Inquisitor represents only the abuses of Catholicism , and not the structure of Organized Religion in general . Most likely this shift also explains why the “ The Foster ...
Page 77
... Ludolph is also different from Marmaduke and Alvar ; for him , the disillusionment assumes a finality that can be met only by madness , and consequently by death or suicide . By discrediting Erminia's innocence Ludolph denies the ...
... Ludolph is also different from Marmaduke and Alvar ; for him , the disillusionment assumes a finality that can be met only by madness , and consequently by death or suicide . By discrediting Erminia's innocence Ludolph denies the ...
Page 147
Consequently , he establishes a new direction for the " good , " the finding of “ identity , " not in the height , but in an inward or downward movement , in a “ deep cosmic center . ” The revolutionary reversal is indeed one of the ...
Consequently , he establishes a new direction for the " good , " the finding of “ identity , " not in the height , but in an inward or downward movement , in a “ deep cosmic center . ” The revolutionary reversal is indeed one of the ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's