Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 27
HERO AND VILLAIN a Dramatically , Wordsworth has the same difficulty with his villain , Oswald , that he had with Herbert and ... Although Oswald's soliloquies are philosophically and poetically the most memorable , and he is the only ...
HERO AND VILLAIN a Dramatically , Wordsworth has the same difficulty with his villain , Oswald , that he had with Herbert and ... Although Oswald's soliloquies are philosophically and poetically the most memorable , and he is the only ...
Page 29
[ where ) harmony is guaranteed , because the world is a divine life.20 The members of his band who fear Oswald as a magician , also look on him as a madman , and Marmaduke describes him as a “ monster ” and an " unhappy man .
[ where ) harmony is guaranteed , because the world is a divine life.20 The members of his band who fear Oswald as a magician , also look on him as a madman , and Marmaduke describes him as a “ monster ” and an " unhappy man .
Page 33
It is as Oswald that he fell into the role of the self - destructive “ wizard ” who is like Satan's apprentice Archimago , or Satan himself , in being powerful enough to " wave the wand ” and “ dissolve palace or grove .
It is as Oswald that he fell into the role of the self - destructive “ wizard ” who is like Satan's apprentice Archimago , or Satan himself , in being powerful enough to " wave the wand ” and “ dissolve palace or grove .
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's