Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 30
... actions because our impulses follow the laws of physical necessity . Action is transitory - a step , a blow , The motion of a muscle - this way or that— ' Tis done , and in the after - vacancy We wonder at ourselves like men betrayed ...
... actions because our impulses follow the laws of physical necessity . Action is transitory - a step , a blow , The motion of a muscle - this way or that— ' Tis done , and in the after - vacancy We wonder at ourselves like men betrayed ...
Page 37
... action up to action . " In these images Oswald describes how the storm of destructive revolution is followed by dead calm , and then by the " ferocity " of guilt feeling that he relieves by newer , and by now , quite deliberate acts of ...
... action up to action . " In these images Oswald describes how the storm of destructive revolution is followed by dead calm , and then by the " ferocity " of guilt feeling that he relieves by newer , and by now , quite deliberate acts of ...
Page 147
... action in all five tragedies under discus- sion , but it is not the final or ultimate stage of that action . As a matter of fact , on the basis of The Borderers , Remorse and Otho the Great , it seems that the tragic experience does not ...
... action in all five tragedies under discus- sion , but it is not the final or ultimate stage of that action . As a matter of fact , on the basis of The Borderers , Remorse and Otho the Great , it seems that the tragic experience does not ...
Contents
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Copyright | |
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Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York