Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 34
It is because he failed to affirm that the bond between Nature and Spirit ( that is , between Idonea and her father ) is “ mutually consecrated , " that he destroys himself , and " a wanderer ... [ he ] must leave ” his lost Paradise .
It is because he failed to affirm that the bond between Nature and Spirit ( that is , between Idonea and her father ) is “ mutually consecrated , " that he destroys himself , and " a wanderer ... [ he ] must leave ” his lost Paradise .
Page 54
In contrast to Alvar , Ordonio lacks the potential to truly “ wed ” the innocent heroine ; he cannot affirm Man's “ sacramental marriage ” with an unfallen Nature , which also implies loving and joyous affirmation of the Spirit in ...
In contrast to Alvar , Ordonio lacks the potential to truly “ wed ” the innocent heroine ; he cannot affirm Man's “ sacramental marriage ” with an unfallen Nature , which also implies loving and joyous affirmation of the Spirit in ...
Page 147
... but also affirm a new moral - spiritual insight , or a new light being born out of this loss . ... however , there is an attempt to deal with the “ double nature ” of tragic action , to affirm a third stage that may follow in the ...
... but also affirm a new moral - spiritual insight , or a new light being born out of this loss . ... however , there is an attempt to deal with the “ double nature ” of tragic action , to affirm a third stage that may follow in the ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's