Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 42
28 The spatial expression of this “ moral principle ” is an ascending movement , where man is looking for the good in the height associated with Heaven and the Father . In contrast , the downward movement ...
28 The spatial expression of this “ moral principle ” is an ascending movement , where man is looking for the good in the height associated with Heaven and the Father . In contrast , the downward movement ...
Page 43
associated with the spiritual or the supernatural , come to assume the significance of evil as “ alienation ” while the moral good becomes associated with a search for " identity , ” and this assumes an inward or downward movement ...
associated with the spiritual or the supernatural , come to assume the significance of evil as “ alienation ” while the moral good becomes associated with a search for " identity , ” and this assumes an inward or downward movement ...
Page 112
This is also supported by the fact that Byron describes Arimanes quite deliberately through images which reverse the attitudes traditionally associated with deity . Thus , while God created the world out of the Chaos of elements through ...
This is also supported by the fact that Byron describes Arimanes quite deliberately through images which reverse the attitudes traditionally associated with deity . Thus , while God created the world out of the Chaos of elements through ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's