Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 25
Herbert may stand for the archetypal image of Holiness , but he can never become a psychologically realized character ... As soon as they separate from each other they become vulnerable to Oswald's manipulation , and Marmaduke becomes ...
Herbert may stand for the archetypal image of Holiness , but he can never become a psychologically realized character ... As soon as they separate from each other they become vulnerable to Oswald's manipulation , and Marmaduke becomes ...
Page 50
Once receiving his Eve , and with her a perfected state of being , he becomes the Second Adam , a romantic definition ... To become this seems to be within the capacity of Everyman who reaches a sense of oneness with the whole , a sense ...
Once receiving his Eve , and with her a perfected state of being , he becomes the Second Adam , a romantic definition ... To become this seems to be within the capacity of Everyman who reaches a sense of oneness with the whole , a sense ...
Page 77
Once she is revealed to be a fallen creature , her beauty becomes for Ludolph the symbol of demonic deception ; yet she remains a demonic creature only in Ludolph's eyes . To the other characters , indeed , to the reader , Auranthe ...
Once she is revealed to be a fallen creature , her beauty becomes for Ludolph the symbol of demonic deception ; yet she remains a demonic creature only in Ludolph's eyes . To the other characters , indeed , to the reader , Auranthe ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's