Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 55
Neither Ordonio's desire to possess Teresa , nor his hatred of his older brother have much psychological or dramatic credibility . These two emotions are nevertheless at the very core of the allegorical framework .
Neither Ordonio's desire to possess Teresa , nor his hatred of his older brother have much psychological or dramatic credibility . These two emotions are nevertheless at the very core of the allegorical framework .
Page 56
8 essential difference , Coleridge has the good brother return and offer redemption to the fratricidal brother . Coleridge's approach to the Cain - Abel conflict seems to be consistent . In another treatment of the story ...
8 essential difference , Coleridge has the good brother return and offer redemption to the fratricidal brother . Coleridge's approach to the Cain - Abel conflict seems to be consistent . In another treatment of the story ...
Page 61
effective as drama : the sharp dichotomy causes the two brothers to emerge as representatives of two distinct and remote ... against the father into the offence of a rebellious younger brother against a near - saintly older brother .
effective as drama : the sharp dichotomy causes the two brothers to emerge as representatives of two distinct and remote ... against the father into the offence of a rebellious younger brother against a near - saintly older brother .
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's