Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 70
The dungeon , however , the centre that leads to light through the darkness , is man - made , a social construct . Having mercilessly separated “ Devil " from " Redeemer " within his own “ Prometheus , ” Coleridge makes his “ Redeemer ...
The dungeon , however , the centre that leads to light through the darkness , is man - made , a social construct . Having mercilessly separated “ Devil " from " Redeemer " within his own “ Prometheus , ” Coleridge makes his “ Redeemer ...
Page 77
In this image , Hell is not the centre of active evil , but the centre of inevitable nothingness , where Ludolph fears being " sucked to death . " In line with his dread of emptiness , he is afraid that Auranthe will “ melt ... into air ...
In this image , Hell is not the centre of active evil , but the centre of inevitable nothingness , where Ludolph fears being " sucked to death . " In line with his dread of emptiness , he is afraid that Auranthe will “ melt ... into air ...
Page 149
In doing so , she claims that the direction of the highest moral good or justice lies within her , within the centre of the human heart , the deep cosmic centre which is also the centre of the indwelling Spirit within Nature .
In doing so , she claims that the direction of the highest moral good or justice lies within her , within the centre of the human heart , the deep cosmic centre which is also the centre of the indwelling Spirit within Nature .
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's