Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 27
HERO AND VILLAIN a Dramatically , Wordsworth has the same difficulty with his villain , Oswald , that he had with Herbert and Idonea in presenting on stage everyday characters with an almost supernatural aura .
HERO AND VILLAIN a Dramatically , Wordsworth has the same difficulty with his villain , Oswald , that he had with Herbert and Idonea in presenting on stage everyday characters with an almost supernatural aura .
Page 62
character does not convey the defiant energy associated with the other villains . This is probably due to the fact that in Coleridge's play it is Alvar who identifies with the political aspect of revolution and liberation .
character does not convey the defiant energy associated with the other villains . This is probably due to the fact that in Coleridge's play it is Alvar who identifies with the political aspect of revolution and liberation .
Page 154
The characters of Marmaduke , Alvar , and even Manfred , Beatrice or Count Cenci are larger - than - life projections of the good and evil forces familiar from allegory , rather than being multi - dimensional characters whose actions ...
The characters of Marmaduke , Alvar , and even Manfred , Beatrice or Count Cenci are larger - than - life projections of the good and evil forces familiar from allegory , rather than being multi - dimensional characters whose actions ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's