Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 62
... character remains a rather weak and unconvincing foil to Alvar's larger - than - life and almost entirely flawless hero . Coleridge's attitude to the son's rebellion is becoming even more interesting if we examine the stock character of ...
... character remains a rather weak and unconvincing foil to Alvar's larger - than - life and almost entirely flawless hero . Coleridge's attitude to the son's rebellion is becoming even more interesting if we examine the stock character of ...
Page 83
... characters . Both Ludolph and Aur- anthe have different images of Paradise , as indeed each character conceives of his own version . Since Keats's direct identification with Ludolph is complete , his artistic control over him is ...
... characters . Both Ludolph and Aur- anthe have different images of Paradise , as indeed each character conceives of his own version . Since Keats's direct identification with Ludolph is complete , his artistic control over him is ...
Page 154
... characters of Marmaduke , Alvar , and even Manfred , Beatrice or Count Cenci are larger - than - life projections of ... character , the villain . b . In terms of the underlying myth of a Romantic Paradise Lost , these figures act out ...
... characters of Marmaduke , Alvar , and even Manfred , Beatrice or Count Cenci are larger - than - life projections of ... character , the villain . b . In terms of the underlying myth of a Romantic Paradise Lost , these figures act out ...
Contents
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Copyright | |
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Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York