Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 14
... inevitable consequences of a profound natural emotional experience through a philosophy that denied the importance and validity of that very experience .... he denied the philosophy and affirmed the experience.2 Ernest de Selincourt ...
... inevitable consequences of a profound natural emotional experience through a philosophy that denied the importance and validity of that very experience .... he denied the philosophy and affirmed the experience.2 Ernest de Selincourt ...
Page 110
As the Romantic Faustus , he asserts that Man should be able to claim experience of both regions with impunity . ... In the first outdoor scene , on the Jungfrau , Manfred experiences the tremendous distance between height and depth ...
As the Romantic Faustus , he asserts that Man should be able to claim experience of both regions with impunity . ... In the first outdoor scene , on the Jungfrau , Manfred experiences the tremendous distance between height and depth ...
Page 151
Beatrice experiences not only the reversal of the traditional order , but a total collapse , a loss of any moral or ... This final and total loss , the experience of nothingness that follows the collapse , is the essence of her tragedy ...
Beatrice experiences not only the reversal of the traditional order , but a total collapse , a loss of any moral or ... This final and total loss , the experience of nothingness that follows the collapse , is the essence of her tragedy ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's