Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 11
... faith with new spiritual fervour . But the fundamental characteristics of the faith had been prepared by the Enlightenment with the full complexity of a philosophical or even religious system . This is the faith the Romantic poet ...
... faith with new spiritual fervour . But the fundamental characteristics of the faith had been prepared by the Enlightenment with the full complexity of a philosophical or even religious system . This is the faith the Romantic poet ...
Page 12
... faith that gathers its greatest momentum in denying original sin . Original sin is the common opponent against which ... faith in the human ideal the Revolution was supposed to demonstrate . Faith in man's natural goodness and limitless ...
... faith that gathers its greatest momentum in denying original sin . Original sin is the common opponent against which ... faith in the human ideal the Revolution was supposed to demonstrate . Faith in man's natural goodness and limitless ...
Page 49
... faith in Alvar's existence has a force that equals any " conjurer's power . " Her faith in Alvar's return has the " magic " of creative imagina- tion which forms its own world by simply imagining it . She insists that her inner voice ...
... faith in Alvar's existence has a force that equals any " conjurer's power . " Her faith in Alvar's return has the " magic " of creative imagina- tion which forms its own world by simply imagining it . She insists that her inner voice ...
Contents
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Copyright | |
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Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York