Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
From inside the book
Results 1-3 of 50
Page 97
His sense of guilt for Astarte's destruction stems from feeling ethical responsibility for the individual's fall . At the same time , he also claims to be a sacrificial victim of the “ curse ” connected with man's universal condition .
His sense of guilt for Astarte's destruction stems from feeling ethical responsibility for the individual's fall . At the same time , he also claims to be a sacrificial victim of the “ curse ” connected with man's universal condition .
Page 98
a Borderers , Remorse and Otho the Great the hero's fall from innocence is the result of his being fatally deceived by the villain . In these plays the Romantic Adam falls merely because in his ignorance he is deceived by Satan .
a Borderers , Remorse and Otho the Great the hero's fall from innocence is the result of his being fatally deceived by the villain . In these plays the Romantic Adam falls merely because in his ignorance he is deceived by Satan .
Page 143
The rock is in the process of falling ( although it has “ for unimaginable years sustained itself over the gulf ” ) ... very “ clinging " that makes the inevitable fall from the precipice into the yawning gulf more horrible an agony .
The rock is in the process of falling ( although it has “ for unimaginable years sustained itself over the gulf ” ) ... very “ clinging " that makes the inevitable fall from the precipice into the yawning gulf more horrible an agony .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's