Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 64
Also , in the first version violent revolutionary energy seems to be vindicated in Alhadra's final manifesto , as a ruthless but ultimately justified force in action , “ conquering and still to conquer .
Also , in the first version violent revolutionary energy seems to be vindicated in Alhadra's final manifesto , as a ruthless but ultimately justified force in action , “ conquering and still to conquer .
Page 126
Beatrice's behaviour throughout the trial , and her final message to Bernardo reveal a very different attitude . In her defence she applied the “ sublime casuistry ” of one who does not consider the world's judgement essential .
Beatrice's behaviour throughout the trial , and her final message to Bernardo reveal a very different attitude . In her defence she applied the “ sublime casuistry ” of one who does not consider the world's judgement essential .
Page 151
This final and total loss , the experience of nothingness that follows the collapse , is the essence of her tragedy , and it forms the most weighty downward movement in the tragedy's “ double action . ” But how about the counter ...
This final and total loss , the experience of nothingness that follows the collapse , is the essence of her tragedy , and it forms the most weighty downward movement in the tragedy's “ double action . ” But how about the counter ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's