Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
From inside the book
Results 1-3 of 72
Page 5
CONTENTS 109 1449778 Introduction 83-3562119 I 7 II 14 “ DARKNESS DEEPENING DARKNESS ” : Wordsworth's THE BORDERERS Hero , Heroine and Father Hero and Villain Images of Nature and the Cosmic Structure 17 27 36 III 45 " POISON IN THE ...
CONTENTS 109 1449778 Introduction 83-3562119 I 7 II 14 “ DARKNESS DEEPENING DARKNESS ” : Wordsworth's THE BORDERERS Hero , Heroine and Father Hero and Villain Images of Nature and the Cosmic Structure 17 27 36 III 45 " POISON IN THE ...
Page 72
“ SO TAKING A DISGUISE ” : KEATS'S OTHO THE GREAT The wedding of the hero is still in the centre of Otho the Great , as it is in The Borderers and Remorse . As in the first play , the villain's intrigue prevents this union .
“ SO TAKING A DISGUISE ” : KEATS'S OTHO THE GREAT The wedding of the hero is still in the centre of Otho the Great , as it is in The Borderers and Remorse . As in the first play , the villain's intrigue prevents this union .
Page 159
Somewhat similarly to Coleridge , Keats also relies on a ' secondary father figure , ' so to speak , in this case on ' Father ' Ethelbert , against whom the hero plays out the romantic son's deep - seated hostility and defiance of age ...
Somewhat similarly to Coleridge , Keats also relies on a ' secondary father figure , ' so to speak , in this case on ' Father ' Ethelbert , against whom the hero plays out the romantic son's deep - seated hostility and defiance of age ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's