Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 24
984-990 ) When , in spite of his intuitive awareness of Herbert's innocence , Marmaduke is prepared to abandon him on the moor , he recognizes himself destroyed as a feeling human being , cut off from man and the “ living God ” in man ...
984-990 ) When , in spite of his intuitive awareness of Herbert's innocence , Marmaduke is prepared to abandon him on the moor , he recognizes himself destroyed as a feeling human being , cut off from man and the “ living God ” in man ...
Page 31
His pride in his fall is “ unnatural ” because it cuts him off from the sympathy of the rest of humanity . He claims that he has no need of human sympathy , because of his exceptional , non - human or more than human stature ...
His pride in his fall is “ unnatural ” because it cuts him off from the sympathy of the rest of humanity . He claims that he has no need of human sympathy , because of his exceptional , non - human or more than human stature ...
Page 153
None of the five poets under study excel in that “ dramatic ” or “ human ” imagination which creates memorable , psychologically modulated and credible human character.2 While the Romantic Movement on the Continent produced strong and ...
None of the five poets under study excel in that “ dramatic ” or “ human ” imagination which creates memorable , psychologically modulated and credible human character.2 While the Romantic Movement on the Continent produced strong and ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's