Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 85
Having learnt about Auranthe's corruption , he still cannot return to the innocent Erminia , although he asks her angelic forgiveness for his error : “ Ah ! gentlest creature , whose sweet innocence / Was almost murder'd ; I am penitent ...
Having learnt about Auranthe's corruption , he still cannot return to the innocent Erminia , although he asks her angelic forgiveness for his error : “ Ah ! gentlest creature , whose sweet innocence / Was almost murder'd ; I am penitent ...
Page 125
protested innocence and purity breaks down in this confrontation . In order to accept the justice of her argument with Marzio , we must accept the " higher truth " of the allegorical framework , according to which she is the ...
protested innocence and purity breaks down in this confrontation . In order to accept the justice of her argument with Marzio , we must accept the " higher truth " of the allegorical framework , according to which she is the ...
Page 128
To understand Shelley's attitude to his tragic heroine ( to most critics she is the central dilemma in the tragedy ) , we must rely on the allegorical framework in which Innocence fulfills the kind of role Beatrice fulfills in the play ...
To understand Shelley's attitude to his tragic heroine ( to most critics she is the central dilemma in the tragedy ) , we must rely on the allegorical framework in which Innocence fulfills the kind of role Beatrice fulfills in the play ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's