Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 41
He also dismisses the traditional system which would associate such moral concerns as remorse or redemption with the heights , or Heaven . To Oswald this cosmic region is expressive of nothing but solitude and vacancy .
He also dismisses the traditional system which would associate such moral concerns as remorse or redemption with the heights , or Heaven . To Oswald this cosmic region is expressive of nothing but solitude and vacancy .
Page 111
It seems that if Man's scope is defined on the scale of the Infinite , the question of moral distinctions becomes indefinite . Although the Romantic hero may indeed refuse Heaven as the region of the punitive and tyrannical Father ...
It seems that if Man's scope is defined on the scale of the Infinite , the question of moral distinctions becomes indefinite . Although the Romantic hero may indeed refuse Heaven as the region of the punitive and tyrannical Father ...
Page 148
tionary reversal of the entire traditional cosmic structure , with its built - in moral principle . Yet in this play the initially violent reversal of the moral structure has been accomplished not by the revolutionary offspring , but by ...
tionary reversal of the entire traditional cosmic structure , with its built - in moral principle . Yet in this play the initially violent reversal of the moral structure has been accomplished not by the revolutionary offspring , but by ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's